1/3/2008 Phrygian language, relationship of ancient records to Phrygian monuments.

Notes with a discussion on ancient records of Pausanias, etc.

Extracts from texts as they may relate to the Phrygian culture and religion and its relationship to the Etruscans. These notes describe the nature and extent of the Greek religion from one city to the next and their knowledge of Cybele and Attis. The description of the Zodiac by Aratas is particularly relevant, as the Midas City plateau relates to the gods and the behavior of their constellations. Strabo's description of Phrygia is of interest. He lists a place called Midiaeium in a location that approximates the Midas City archeological site.

This section contains:
Notes from the Argonautica
Notes from the Aeneid
Notes from Alcman
Notes from Pausanius
Notes from Ramsay, Hieropolis
Notes on Aratus of Soli, Phaenomena
Notes on Pliny, Natural History
Notes on Strabo, Geography
Notes on the origin of the Phrygians and Muski, Phrygian1k.html

Note from the Argonautica, Apollonius of Rhodes (3rd century B.C.)

Book IV, line 1755 - Euphemus heard Jason’s prophecy with joy and did not make it void. He threw the clod into the depths of thesea, and there grew up from it an island called Calliste, the sacred Nurse of his decendants. These lived at first in Sintian Lemnos, till they were driven out by the Tyrrhenians and found a new home in Sparta. Later they left Sparta and settled in Calliste under the leadership of Autesion’s son, the noble Theras, who named the island Thera after himself. But long before this happened Euphemus’ days were over.

Note: This paragraph from the Argonautica by Apollonius of Rhodes (third century B.C.) indicates that several generations after the Argonauts the Tyrrhenians (Etruscans) were in Lemnos. Lemnos is relevant to the "Etruscan Phrases" discussion from several points of view, 1) being a place of the god Hephaistos and linked to Cybele, 2) Lemnos is a word in the Midas Monument and 3) the Lemnos Script has been regarded as Etruscan; yet, the punctuation mark (3 dot colon) is the same as that used by the Phrygians.

Note from the Aeneid, by Virgil (70 B.C.-19 B.C)

Book 1, line 394 ...I am Aeneas, a good, devoted man; I carry with me
My household gods, saved from the Greeks; I am Known
In heaven; it is Italy I seek,
A homeland for me there, and a race descended
From lofty Jove. With a score of ships we started
Over the Phrygian ocean, following fate
And the way my mother pointed out...

Book III, line 103 ...There is a land
Called Crete, an island in themidst of the sea,
The cradle of our race; it has a mountain,
Ida, like ours, a hundred mighty cities,
Abounding wealth; if I recall correctly,
Teucer, our greatest father, came from there
To the Rhoetean [cape near Troy] shores to found his kingdom.
Ilium was nothing then, the towers of Troy
Undramed of; men lived in the lowly valleys.
And Cybele, the Great Mother, came from Crete
With her clashing cymbals, and her grove of Ida
Was named from that original; the silence
Of her mysterious rites, the harnessed lions
Before her chariot wheels, all testify
To Cretan legend. Come, then, let us follow
Where the gods lead, and seek the Cretan kingdom.

Note: It appears that the ancient poets and historians had a view of the land of the Trojans and the sea upon its coast as "Phrygian." (Strabo's "Geography" explains this) Also the tradition Virgil relates that Cybele originated in Crete must come from earlier documents and legends known to Virgil. The connection of the Roman ancestors with Troy and Phrygia was adopted by those whom the Romans later conquered, particularly the British and the Teutonic peoples. Viktor Rydberg's three volume work, "Teutonic Mythology," 1907, reviews the Teutonic legends relating to Teutonic origins in Troy. Most of the Teutonic, Trojan origins revolve around the Teutonic supreme god, Thor, and Odin (Wodan) and his consort, mother of the gods, Frigg. The work may be read on the internet at: http://www.vaidilute.com/books/norroena/rydberg-contents.html. Rydberg concludes that the Teutonic legends reflect an amalgamation of Teutonic tradition with Roman origins, thereby giving the Teutonic tribes a noble claim to Trojan lineage. There is a similarity between the Phrygian / Trojan and Teutonic tumuli burials. Teutonic barrows contained timber-lined burial chambers very much like the Phrygian tumuli of Gordion. This form of tumuli differs from the Greek and British tumuli that contain stone-lined burial chambers. Pausanias describes many of the barrows (tumuli) of Greece, as he tours the Greek towns and holy places. The barrows he describes contained stone chambers. Of interest is Sophocles' description of Agamemnon's burial which is below a mound (not matching the Grave Circle at Mycenae):

Sophocles, "Electra," CHRYSOTHEMIS: Well, thou shalt hear all that I have seen. When I came to our father's ancient tomb, I saw that streams of milk had lately flowed from the top of the mound, and that his sepulchre was encircled with garlands of all flowers that blow. I was astonished at the sight, and peered about, lest haply some one should be close to my side. But when I perceived that all the place was in stillness, I crept nearer to the tomb; and on the mound's edge I saw a lock of hair, freshly severed. [See http://www.4literature.net/Sophocles/Electra_Sophocles_/8.html]

Notes from Alcman,
Alcman was a Laconian of Messoa, a lyric poet who flourished in the 37th Olympiad (B.C. 631-625), when Ardys father of Alyattes was king of Lydia.

FRAGMENT 80
Strabo Geography 12. 580 :
There is mention of some Phrygian tribes which cannot be traced, as the Berecyntians; and Alcman says:
He piped a Phrygian tune Cerbesian.69

FRAGMENT 84
Scholiast on Theocritus 5. 83 :
[the Carneian Festival] : Praxilla says that this festival is so called from Carnus son of Zeus and Europa . . . but Alcman from a Trojan named Carneüs.

FRAGMENT 104
Athenaeus Doctors at Dinner 14. 624b :
[on the Phrygian “mode”] : This mode was first invented and practised by Phrygians, and that is why flute-players in Greece have Phrygian names like those of slaves, for instance Sambas, and Adon, and Telus, in Alcman.

Notes from Pausanius

Pausanias was the Greek writer who flourished in the 2nd century AD. His Description of Greece in ten books is a traveller's account of sights of historical and cultural interest in the Peloponnese and central Greece. He provides a comprehensive catalogue of temples and shrines in the region, as well as frequent discussions of local myth and cult practice. He could be considered the historian- cultural anthropologist of his age. We have extracted those paragraphs that indicate the nature of the worship of Greek gods and the cultural attributes that pertain thereto. Of relevance is the fact that most of the religious sanctuaries contained an abundance of wooden effigies, many of which had hands and faces of ivory, marble or, in some cases, stone. Many were painted with a black laquer finish. Of course he highlights the bronze statues and the temples, many of which are in a state of ruin or disrepair. He points out that the Roman emperor Nero confiscated over 500 statues from the sanctuary of Delphi. Our extracts are from http://www.theoi.com/Text/Pausanias1A.html.

[1.21.5] Among the votive offerings there is a Sauromatic breast plate. On seeing this a man will say that no less than Greeks are foreigners skilled in the arts. For the Sauromatae have no iron, neither mined by them selves nor yet imported. They have, in fact, no dealings at all with the foreigners around them. To meet this deficiency they have contrived inventions. In place of iron they use bone for their spear-blades, and cornel-wood for their bows and arrows, with bone points for the arrows. They throw a lasso round any enemy they meet, and then turning round their horses upset the enemy caught in the lasso.
[1.21.6] Their breastplates they make in the following fashion. Each man keeps many mares, since the land is not divided into private allotments, nor does it bear any thing except wild trees, as the people are nomads. These mares they not only use for war, but also sacrifice them to the local gods and eat them for food. Their hoofs they collect, clean, split, and make from them as it were python scales. Whoever has never seen a python must at least have seen a pine-cone still green. He will not be mistaken if he liken the product from the hoof to the segments that are seen on the pine-cone. These pieces they bore and stitch together with the sinews of horses and oxen, and then use them as breastplates that are as handsome and strong as those of the Greeks. For they can withstand blows of missiles and those struck in close combat.
[1.21.7] Linen breastplates are not so useful to fighters, for they let the iron pass through, if the blow be a violent one. They aid hunters, how ever, for the teeth of lions or leopards break off in them. You may see linen breastplates dedicated in other sanctuaries, notably in that at Gryneum, where there is a most beautiful grove of Apollo, with cultivated trees, and all those which, although they bear no fruit, are pleasing to smell or look upon.

[1.32.2] The Athenians have also statues of gods on their mountains. On Pentelicus is a statue of Athena, on Hymettus one of Zeus Hymettius. There are altars both of Zeus Rain-god and of Apollo Foreseer. On Parnes is a bronze Zeus Parnethius, and an altar to Zeus Semaleus (Sign-giving). There is on Parnes another altar, and on it they make sacrifice, calling Zeus sometimes Rain-god, sometimes Averter of Ills. Anchesmus is a mountain of no great size, with an image of Zeus Anchesmius.

Before the city of the Milesians is an island called Lade, and from it certain islets are detached. One of these they call the islet of Asterius, and say that Asterius was buried in it, and that Asterius was the son of Anax, and Anax the son of Earth. Now the corpse is not less than ten cubits.
[1.35.7] But what really caused me surprise is this. There is a small city of upper Lydia called The Doors of Temenus. There a crest broke away in a storm, and there appeared bones the shape of which led one to suppose that they were human, but from their size one would never have thought it. At once the story spread among the multitude that it was the corpse of Geryon, the son of Chrysaor, and that the seat also was his. For there is a man's seat carved on a rocky spur of the mountain. And a torrent they called the river Ocean, and they said that men ploughing met with the horns of cattle, for the story is that Geryon reared excellent cows.
[1.35.8] And when I criticized the account and pointed out to them that Geryon is at Gadeira, where there is, not his tomb, but a tree showing different shapes, the guides of the Lydians related the true story, that the corpse is that of Hyllus, a son of Earth, from whom the river is named. They also said that Heracles from his sojourning with Omphale called his son Hyllus after the river.

[2.5.3] The other stories about the river are current among both the Phliasians and the Sicyonians, for instance that its water is foreign and not native, in that the Maeander, descending from Celaenae through Phrygia and Caria, and emptying itself into the sea at Miletus, goes to the Peloponnesus and forms the Asopus. I remember hearing a similar story from the Delians, that the stream which they call Inopus comes to them from the Nile. Further, there is a story that the Nile itself is the Euphrates, which disappears into a marsh, rises again beyond Aethiopia and becomes the Nile.
[2.5.4] Such is the account I heard of the Asopus. When you have turned from the Acrocorinthus into the mountain road you see the Teneatic gate and a sanctuary of Eilethyia. The town called Tenea is just about sixty stades distant. The inhabitants say that they are Trojans who were taken prisoners in Tenedos by the Greeks, and were permitted by Agamemnon to dwell in their present home. For this reason they honor Apollo more than any other god.

SICYON
[2.7.2] When you have come from the Corinthian to the Sicyonian territory you see the tomb of Lycus the Messenian, whoever this Lycus may be; for I can discover no Messenian Lycus who practised the pentathlon15 or won a victory at Olympia. This tomb is a mound of earth, but the Sicyonians themselves usually bury their dead in a uniform manner. They cover the body in the ground, and over it they build a basement of stone upon which they set pillars. Above these they put something very like the pediment of a temple. They add no inscription, except that they give the dead man's name without that of his father and bid him farewell.

[2.10.2] From here is a way to a sanctuary of Asclepius. On passing into the enclosure you see on the left a building with two rooms. In the outer room lies a figure of Sleep, of which nothing remains now except the head. The inner room is given over to the Carnean Apollo; into it none may enter except the priests. In the portico lies a huge bone of a sea-monster, and after it an image of the Dream-god and Sleep, surnamed Epidotes (Bountiful), lulling to sleep a lion. Within the sanctuary on either side of the entrance is an image, on the one hand Pan seated, on the other Artemis standing.
[2.10.3] When you have entered you see the god, a beardless figure of gold and ivory made by Calamis.30 He holds a staff in one hand, and a cone of the cultivated pine in the other. The Sicyonians say that the god was carried to them from Epidaurus on a carriage drawn by two mules, that he was in the likeness of a serpent, and that he was brought by Nicagora of Sicyon, the mother of Agasicles and the wife of Echetimus. Here are small figures hanging from the roof. She who is on the serpent they say is Aristodama, the mother of Aratus, whom they hold to be a son of Asclepius.

[2.10.4] Such are the noteworthy things that this enclosure presented to me, and opposite is another enclosure, sacred to Aphrodite. The first thing inside is a statue of Antiope. They say that her sons were Sicyonians, and because of them the Sicyonians will have it that Antiope herself is related to themselves. After this is the sanctuary of Aphrodite, into which enter only a female verger, who after her appointment may not have intercourse with a man, and a virgin, called the Bath-bearer, holding her sacred office for a year. All others are wont to behold the goddess from the entrance, and to pray from that place.
[2.10.5] The image, which is seated, was made by the Sicyonian Canachus, who also fashioned the Apollo at Didyma of the Milesians, and the Ismenian Apollo for the Thebans. It is made of gold and ivory, having on its head a polos,31 and carrying in one hand a poppy and in the other an apple. They offer the thighs of the victims, excepting pigs; the other parts they burn for the goddess with juniper wood, but as the thighs are burning they add to the offering a leaf of the paideros…Afterwards Alexanor, the son of Machaon, the son of Asclepius, came to Sicyonia and built the sanctuary of Asclepius at Titane.
[2.11.6] The neighbors are chiefly servants of the god, and within the enclosure are old cypress trees. One cannot learn of what wood or metal the image is, nor do they know the name of the maker, though one or two attribute it to Alexanor himself. Of the image can be seen only the face, hands, and feet, for it has about it a tunic of white wool and a cloak. There is a similar image of Health; this, too, one cannot see easily because it is so surrounded with the locks of women, who cut them off and offer them to the goddess, and with strips of Babylonian raiment. With whichever of these a votary here is willing to propitiate heaven, the same instructions have been given to him, to worship this image which they are pleased to call Health.

[2.22.3] Now that the Tantalus is buried here who was the son of Thyestes or Broteas (both accounts are given) and married Clytaemnestra before Agamemnon did, I will not gainsay; but the grave of him who legend says was son of Zeus and Pluto – it is worth seeing – is on Mount Sipylus. I know because I saw it. Moreover, no constraint came upon him to flee from Sipylus, such as afterwards forced Pelops to run away when Ilus the Phrygian launched an army against him. But I must pursue the inquiry no further. The ritual performed at the pit hard by they say was instituted by Nicostratus, a native. Even at the present day they throw into the pit burning torches in honor of the Maid who is daughter of Demeter.

[2.22.5] Going on a little further you see the grave of Argus, reputed to be the son of Zeus and Niobe, daughter of Phoroneus. After these comes a temple of the Dioscuri. The images represent the Dioscuri themselves and their sons, Anaxis and Mnasinous, and with them are their mothers, Hilaeira and Phoebe. They are of ebony wood, and were made by Dipoenus and Scyllis.46 The horses, too, are mostly of ebony, but there is a little ivory also in their construction.
[2.22.6] Near the Lords is a sanctuary of Eilethyia, dedicated by Helen when, Theseus having gone away with Peirithous to Thesprotia, Aphidna had been captured by the Dioscuri and Helen was being brought to Lacedaemon. For it is said that she was with child, was delivered In Argos, and founded there the sanctuary of Eilethyia, giving the daughter she bore to Clytaemnestra, who was already wedded to Agamemnon, while she herself subsequently married Menelaus.

[2.26.8] There is other evidence that the god was born in Epidaurus for I find that the most famous sanctuaries of Asclepius had their origin from Epidaurus. In the first place, the Athenians, who say that they gave a share of their mystic rites to Asclepius, call this day of the festival Epidauria, and they allege that their worship of Asclepius dates from then. Again, when Archias, son of Aristaechmus, was healed in Epidauria after spraining himself while hunting about Pindasus, he brought the cult to Pergamus.
[2.26.9] From the one at Pergamus has been built in our own day the sanctuary of Asclepius by the sea at Smyrna. Further, at Balagrae of the Cyreneans there is an Asclepius called Healer, who like the others came from Epidaurus. From the one at Cyrene was founded the sanctuary of Asclepius at Lebene, in Crete. There is this difference between the Cyreneans and the Epidaurians, that whereas the former sacrifice goats, it is against the custom of the Epidaurians to do so.

[3.3.6] When Lichas arrived the Spartans were seeking the bones of Orestes in accordance with an oracle. Now Lichas inferred that they were buried in a smithy, the reason for this inference being this. Everything that he saw in the smithy he compared with the oracle from Delphi, likening to the winds the bellows, for that they too sent forth a violent blast, the hammer to the “stroke,” the anvil to the “counterstroke” to it, while the iron is naturally a “woe to man,” because already men were using iron in warfare. In the time of those called heroes the god would have called bronze a woe to man.
[3.3.7] Similar to the oracle about the bones of Orestes was the one afterwards given to the Athenians, that they were to bring back Theseus from Scyros to Athens otherwise they could not take Scyros. Now the bones of Theseus were discovered by Cimon the son of Miltiades, who displayed similar sharpness of wit, and shortly afterwards took Scyros.
[3.3.8] I have evidence that in the heroic age weapons were universally of bronze in the verses of Homer4 about the axe of Peisander and the arrow of Meriones. My statement is likewise confirmed by the spear of Achilles dedicated in the sanctuary of Athena at Phaselis, and by the sword of Memnon in the Nicomedian temple of Asclepius. The point and butt-spike of the spear and the whole of the sword are made of bronze. The truth of these statements I can vouch for.

[3.13.3] Carneus, whom they surname “of the House,” had honors in Sparta even before the return of the Heracleidae, his seat being in the house of a seer, Crius (Ram) the son of Theocles. The daughter of this Crius was met as she was filling her pitcher by spies of the Dorians, who entered into conversation with her, visited Crius and learned from him how to capture Sparta.
[3.13.4] The cult of Apollo Carneus has been established among all the Dorians ever since Carnus, an Acarnanian by birth, who was a seer of Apollo. When he was killed by Hippotes the son of Phylas, the wrath of Apollo fell upon the camp of the Dorians Hippotes went into banishment because of the bloodguilt, and from this time the custom was established among the Dorians of propitiating the Acarnanian seer. But this Carnus is not the Lacedaemonian Carneus of the House, who was worshipped in the house of Crius the seer while the Achaeans were still in possession of Sparta.
[3.13.5] The poetess Praxilla represents Carneus as the son of Europa, Apollo and Leto being his nurses. There is also another account of the name; in Trojan Ida there grew in a grove of Apollo cornel-trees, which the Greeks cut down to make the Wooden Horse. Learning that the god was wroth with them they propitiated him with sacrifices and named Apollo Carneus from the cornel-tree (craneia), a custom prevalent in the olden time making them transpose the r and the a.

[4.31.7] By Damophon too is the so-called Laphria at Messene. The cult came to be established among them in the following way: Among the people of Calydon, Artemis, who was worshipped by them above all the gods, had the title Laphria, and the Messenians who received Naupactus from the Athenians, being at that time close neighbors of the Aetolians, adopted her from the people of Calydon. I will describe her appearance in another place.32 The name Laphria spread only to the Messenians and to the Achaeans of Patrae.
[4.31.8] But all cities worship Artemis of Ephesus, and individuals hold her in honor above all the gods. The reason, in my view, is the renown of the Amazons, who traditionally dedicated the image, also the extreme antiquity of this sanctuary. Three other points as well have contributed to her renown, the size of the temple, surpassing all buildings among men, the eminence of the city of the Ephesians and the renown of the goddess who dwells there.

[4.32.3] There is also the tomb of Aristomenes here. They say that it is not a cenotaph, but when I asked whence and in what manner they recovered the bones of Aristomenes, they said that they sent to Rhodes for them, and that it was the god of Delphi who ordered it. They also instructed me in the nature of the rites carried out at the tomb. The bull which is to be offered to the dead man is brought to the tomb and bound to the pillar which stands upon the grave. Being fierce and unused to bonds he will not stand; and if the pillar is moved by his struggles and bounds, it is a good omen to the Messenians, but if the pillar is not moved the sign portends misfortune.
[4.32.4] They have it that Aristomenes was present at the battle of Leuctra, though no longer among men, and say that he helped the Thebans and was the chief cause of the Lacedaemonian disaster. I know that the Chaldaeans and Indian sages were the first to say that the soul of man is immortal, and have been followed by some of the Greeks, particularly by Plato the son of Ariston. If all are willing to accept this, this too cannot be denied, that his hatred for the Lacedaemonians was imparted to Aristomenes for all time.

[4.35.11] All these springs that had something wonderful to show I have seen myself. For I pass over the less wonderful that I know, and it is no great marvel to find water that is salt and harsh. But there are two other kinds. The water in the White Plain, as it is called, in Caria, by the village with the name Dascylou Come, is warm and sweeter than milk to drink. I know that Herodotus says that a spring of bitter water flows into the river Hypanis. We can assuredly admit the truth of his statement, when in our days at Dicaearchia (Puteoli), in the land of the Tyrrhenians, a hot spring has been found, so acid that in a few years it dissolved the lead through which its water passed.

[5.1.1] I. The Greeks who say that the Peloponnesus has five, and only five, divisions must agree that Arcadia contains both Arcadians and Eleans, that the second division belongs to the Achaeans, and the remaining three to the Dorians. Of the races dwelling in Peloponnesus the Arcadians and Achaeans are aborigines. When the Achaeans were driven from their land by the Dorians, they did not retire from Peloponnesus, but they cast out the Ionians and occupied the land called of old Aegialus, but now called Achaea from these Achaeans. The Arcadians, on the other hand, have from the beginning to to the present time continued in possession of their own country.

[5.1.6] Epeius married Anaxiroe, the daughter of Coronus, and begat a daughter Hyrmina, but no male issue. In the reign of Epeius the following events also occurred. Oenomaus was the son of Alxion (though poets proclaimed his father to be Ares, and the common report agrees with them), but while lord of the land of Pisa he was put down by Pelops the Lydian, who crossed over from Asia.
[5.1.7] On the death of Oenomaus, Pelops took possession of the land of Pisa and its bordering country Olympia, separating it from the land of Epeius. The Eleans said that Pelops was the first to found a temple of' Hermes in Peloponnesus and to sacrifice to the god, his purpose being to avert the wrath of the god for the death of Myrtilus.

[5.10.3] Its height up to the pediment is sixty-eight feet, its breadth is ninety-five, its length two hundred and thirty. The architect was Libon, a native. The tiles are not of baked earth, but of Pentelic marble cut into the shape of tiles. The invention is said to be that of Byzes of Naxos, who they say made the images in Naxos on which is the inscription:–
To the offspring of Leto was I dedicated by Euergus,
A Naxian, son of Byzes, who first made tiles of stone.
This Byzes lived about the time of Alyattes the Lydian,21 when Astyages, the son of Cyaxares, reigned over the Medes

VOTIVE OFFERINGS IN THE TEMPLE OF ZEUS
[5.12.4] In Olympia there is a woollen curtain, adorned with Assyrian weaving and Phoenician purple, which was dedicated by Antiochus,30 who also gave as offerings the golden aegis with the Gorgon on it above the theater at Athens. This curtain is not drawn upwards to the roof as is that in the temple of Artemis at Ephesus, but it is let down to the ground by cords.
[5.12.5] The offerings inside, or in the fore-temple include: a throne of Arimnestus, king of Etruria, who was the first foreigner to present an offering to the Olympic Zeus, and bronze horses of Cynisca, tokens of an Olympic victory. These are not as large as real horses, and stand in the fore-temple on the right as you enter. There is also a tripod, plated with bronze, upon which, before the table was made, were displayed the crowns for the victors.

[5.13.8] The altar of Olympic Zeus is about equally distant from the Pelopium and the sanctuary of Hera, but it is in front of both. Some say that it was built by Idaean Heracles, others by the local heroes two generations later than Heracles. It has been made from the ash of the thighs of the victims sacrificed to Zeus, as is also the altar at Pergamus. There is an ashen altar of Samian Hera not a bit grander than what in Attica the Athenians call “improvised hearths.”

[5.13.9] The first stage of the altar at Olympia, called prothysis, has a circumference of one hundred and twenty-five feet; the circumference of the stage on the prothysis is thirty-two feet; the total height of the altar reaches to twenty-two feet. The victims themselves it is the custom to sacrifice on the lower stage, the prothysis. But the thighs they carry up to the highest part of the altar and burn them there.
[5.13.10] The steps that lead up to the prothysis from either side are made of stone, but those leading from the prothysis to the upper part of the altar are, like the altar itself, composed of ashes. The ascent to the prothysis may be made by maidens, and likewise by women, when they are not shut out from Olympia, but men only can ascend from the prothysis to the highest part of the altar. Even when the festival is not being held, sacrifice is offered to Zeus by private individuals and daily33 by the Eleans.
[5.13.11] Every year the soothsayers, keeping carefully to the nineteenth day of the month Elaphius,34 bring the ash from the town-hall, and making it into a paste with the water of the Alpheius they daub the altar therewith. But never may the ash be made into paste with other water, and for this reason the Alpheius is thought to be of all rivers the dearest to Olympic Zeus. There is also an altar at Didyma of the Milesians, which Heracles the Theban is said by the Milesians to have made from the blood of the victims. But in later times the blood of the sacrifices has not made the altar excessively large.

[5.14.4] Now that I have finished my account of the greatest altar, let me proceed to describe all the altars in Olympia. My narrative will follow in dealing with them the order in which the Eleans are wont to sacrifice on the altars. They sacrifice to Hestia first, secondly to Olympic Zeus, going to the altar within the temple, thirdly to Zeus Laoetas and to Poseidon Laoetas. This sacrifice too it is usual to offer on one altar. Fourthly and fifthly they sacrifice to Artemis and to Athena, Goddess of Booty,
[5.14.5] sixthly to the Worker Goddess. The descendants of Pheidias, called Cleansers, have received from the Eleans the privilege of cleaning the image of Zeus from the dirt that settles on it, and they sacrifice to the Worker Goddess before they begin to polish the image. There is another altar of Athena near the temple, and by it a square altar of Artemis rising gently to a height.
[5.14.6] After the altars I have enumerated there is one on which they sacrifice to Alpheius and Artemis together. The cause of this Pindar,37 I think, intimates in an ode, and I give it38 in my account of Letrini. Not far from it stands another altar of Alpheius, and by it one of Hephaestus. This altar of Hephaestus some Eleans call the altar of Warlike Zeus. These same Eleans also say that Oenomaus used to sacrifice to Warlike Zeus on this altar whenever he was about to begin a chariot-race with one of the suitors of Hippodameia.
[5.14.7] After this stands an altar of Heracles surnamed Parastates (Assistant); there are also altars of the brothers of Heracles – Epimedes, Idas, Paeonaeus, and Iasus; I am aware, however, that the altar of Idas is called by others the altar of Acesidas. At the place where are the foundations of the house of Oenomaus stand two altars: one is of Zeus of the Courtyard, which Oenomaus appears to have had built himself, and the other of Zeus of the Thunderbolt, which I believe they built later, when the thunderbolt had struck the house of Oenomaus.

[5.14.10] On what is called the Gaeum (sanctuary of Earth) is an altar of Earth; it too is of ashes. In more ancient days they say that there was an oracle also of Earth in this place. On what is called the Stomium (Mouth) the altar to Themis has been built. All round the altar of Zeus Descender runs a fence; this altar is near the great altar made of the ashes. The reader must remember that the altars have not been enumerated in the order in which they stand, but the order followed by my narrative is that followed by the Eleans in their sacrifices. By the sacred enclosure of Pelops is an altar of Dionysus and the Graces in common; between them is an altar of the Muses, and next to these an altar of the Nymphs.

[5.15.10] Each month the Eleans sacrifice once on all the altars I have enumerated. They sacrifice in an ancient manner; for they burn on the altars incense with wheat which has been kneaded with honey, placing also on the altars twigs of olive, and using wine for a libation. Only to the Nymphs and the Mistresses are they not wont to pour wine in libation, nor do they pour it on the altar common to all the gods. The care of the sacrifices is given to a priest, holding office for one month, to soothsayers and libation-bearers, and also to a guide, a flute-player and the woodman.

[5.15.11] The traditional words spoken by them in the Town Hall at the libations, and the hymns which they sing, it were not right for me to introduce into my narrative. They pour libations, not only to the Greek gods, but also to the god in Libya, to Hera Ammonia and to Parammon, which is a surname of Hermes. From very early times it is plain that they used the oracle in Libya, and in the temple of Ammon are altars which the Eleans dedicated. On them are engraved the questions of the Eleans, the replies of the god, and the names of the men who came to Ammon from Elis. These are in the temple of Ammon.

TEMPLE OF OLYMPIAN HERA CONT.

THE CHEST OF CYPSELUS
[5.17.5] There is also a chest made of cedar, with figures on it, some of ivory, some of gold, others carved out of the cedar-wood itself. It was in this chest that Cypselus, the tyrant of Corinth, was hidden by his mother when the Bacchidae were anxious to discover him after his birth. In gratitude for the saving of Cypselus, his descendants, Cypselids as they are called, dedicated the chest at Olympia. The Corinthians of that age called chests kypselai, and from this word, they say, the child received his name of Cypselus.
[5.17.6] On most of the figures on the chest there are inscriptions, written in the ancient characters. In some cases the letters read straight on, but in others the form of the writing is what the Greeks call bustrophedon.43 It is like this: at the end of the line the second line turns back, as runners do when running the double race. Moreover the inscriptions on the chest are written in winding characters difficult to decipher. Beginning our survey at the bottom we see in the first space of the chest the following scenes.

[5.17.7] Oenomaus is chasing Pelops, who is holding Hippodameia. Each of them has two horses, but those of Pelops have wings. Next is wrought the house of Amphiaraus, and baby Amphilochus is being carried by some old woman or other. In front of the house stands Eriphyle with the necklace, and by her are her daughters Eurydice and Demonassa, and the boy Alcmaeon naked.

[5.17.9] After the house of Amphiaraus come the games at the funeral of Pelias, with the spectators looking at the competitors. Heracles is seated on a throne, and behind him is a woman. There is no inscription saying who the woman is, but she is playing on a Phrygian, not a Greek, flute. Driving chariots drawn by pairs of horses are Pisus, son of Perieres, and Asterion, son of Cometas (Asterion is said to have been one of the Argonauts), Polydeuces, Admetus and Euphemus. The poets declare that
the last was a son of Poseidon and a companion of Jason on his voyage to Colchis. He it is who is winning the chariot-race.
Atlas too is supporting, just as the story has it, heaven and earth upon his shoulders; he is also carrying the apples of the Hesperides. A man holding a sword is coming towards Atlas. This everybody can see is Heracles, though he is not mentioned specially in the inscription, which reads:–
Here is Atlas holding heaven, but he will let go the apples.
[5.18.5] There is also Ares clad in armour and leading Aphrodite. The inscription by him is “Enyalius.” There is also a figure of Thetis as a maid; Peleus is taking hold of her, and from the hand of Thetis a snake is darting at Peleus. The sisters of Medusa, with wings, are chasing Perseus, who is flying. Only Perseus has his name inscribed on him.

[5.19.3] Aethra, the daughter of Pittheus, lies thrown to the ground under the feet at Helen. She is clothed in black, and the inscription upon the group is an hexameter line with the addition of a single word:–
The sons of Tyndareus are carrying of Helen, and are dragging Aethra from Athens.46
[5.19.4] Such is the way this line is constructed. Iphidamas, the son of Antenor, is lying, and Coon is fighting for him against Agamemnon. On the shield of Agamemnon is Fear, whose head is a lion's. The inscription above the corpse of Iphidamas runs:
Iphidamas, and this is Coon fighting for him.
The inscription on the shield of Agamemnon runs:
[5.19.5]
This is the Fear of mortals: he who holds him is Agamemnon.

[5.20.2] The table is made of ivory and gold, and is the work of Colotes.49 Colotes is said to have been a native of Heracleia, but specialists in the history of sculpture maintain that he was a Parian, a pupil of Pasiteles, who himself was a pupil of . . . There are figures of Hera, Zeus, the Mother of the gods, Hermes, and Apollo with Artemis. Behind is the disposition of the games.
[5.20.3] On one side are Asclepius and Health, one of his daughters; Ares too and Contest by his side; on the other are Pluto, Dionysus, Persephone and nymphs, one of them carrying a ball. As to the key (Pluto holds a key) they say that what is called Hades has been locked up by Pluto, and that nobody will return back again therefrom.

[5.22.1] XXII. These were the causes for which I found that these images were made. There are also images of Zeus dedicated by States and by individuals. There is in the Altis an altar near the entrance leading to the stadium. On it the Eleans do not sacrifice to any of the gods, but it is customary for the trumpeters and heralds to stand upon it when they compete. By the side of this altar has been built a pedestal of bronze, and on it is an image of Zeus, about six cubits in height, with a thunderbolt in either hand. It was dedicated by the people of Cynaetha. The figure of Zeus as a boy wearing the necklace is the votive offering of Cleolas, a Phliasian.
[5.22.2] By the side of what is called the Hippodamium is a semicircular stone pedestal, and on it are Zeus, Thetis, and Day entreating Zeus on behalf of her children. These are on the middle of the pedestal. There are Achilles and Memnon, one at either edge of the pedestal, representing a pair of combatants in position. There are other pairs similarly opposed, foreigner against Greek: Odysseus opposed to Helenus, reputed to be the cleverest men in the respective armies; Alexander and Menelaus, in virtue of their ancient feud; Aeneas and Diomedes, and Deiphobus and Ajax son of Telamon.

[5.23.6] By the chariot of Gelon stands an ancient Zeus holding a scepter which is said to be an offering of the Hyblaeans. There were two cities in Sicily called Hybla, one surnamed Gereatis and the other Greater, it being in fact the greater of the two. They still retain their old names, and are in the district of Catana. Greater Hybla is entirely uninhabited, but Gereatis is a village of Catana, with a sanctuary of the goddess Hyblaea which is held in honor by the Sicilians. The people of Gereatis, I think, brought the image to Olympia. For Philistus, the son of Archomenides, says that they were interpreters of portents and dreams, and more given to devotions than any other foreigners in Sicily.

[5.25.5] At the headland of Sicily that looks towards Libya and the south, called Pachynum, there stands the city Motye, inhabited by Libyans and Phoenicians. Against these foreigners of Motye war was waged by the Agrigentines, who, having taken from them plunder and spoils, dedicated at Olympia the bronze boys, who are stretching out their right hands in an attitude of prayer to the god. They are placed on the wall of the Altis, and I conjectured that the artist was Calamis, a conjecture in accordance with the tradition about them.70 Sicily is inhabited by the following races:
[5.25.6] Sicanians, Sicels, and Phrygians; the first two crossed into it from Italy, while the Phrygians came from the river Scamander and the land of the Troad. The Phoenicians and Libyans came to the island on a joint expedition, and are settlers from Carthage. Such are the foreign races in Sicily. The Greeks settled there include Dorians and Ionians, with a small proportion of Phocians and of Attics.

[5.25.11] Not far from the offering of the Achaeans there is also a Heracles fighting with the Amazon, a woman on horseback, for her girdle. It was dedicated by Evagoras, a Zanclaean by descent, and made by Aristocles of Cydonia. Aristocles should be included amongst the most ancient sculptors, and though his date is uncertain, he was clearly born before Zancle took its present name of Messene.
[5.25.12] The Thasians, who are Phoenicians by descent, and sailed from Tyre, and from Phoenicia generally, together with Thasus, the son of Agenor, in search of Europa, dedicated at Olympia a Heracles, the pedestal as well as the image being of bronze. The height of the image is ten cubits, and he holds a club in his right hand and a bow in his left. They told me in Thasos that they used to worship the same Heracles as the Tyrians, but that afterwards, when they were included among the Greeks, they adopted the worship of Heracles the son of Amphitryon.
[5.26.7] By the smaller offerings of Micythus, that were made by Dionysius, are some of the exploits of Heracles, including what he did to the Nemean lion, the Hydra, the Hound of Hell, and the boar by the river Erymanthus. These were brought to Olympia by the people of Heracleia when they had overrun the land of the Mariandynians, their foreign neighbors. Heracleia is a city built on the Euxine sea, a colony of Megara, though the people of Tanagra in Boeotia joined in the settlement.
[5.27.11] Under the plane trees in the Altis, just about in the center of the enclosure, there is a bronze trophy, with an inscription upon the shield of the trophy, to the effect that the Eleans raised it as a sign that they had beaten the Lacedaemonians. It was in this battle that the warrior lost his life who was found lying in his armour when the roof of the Heraeum was being repaired in my time.
[5.27.12] The offering of the Mendeans in Thrace came very near to beguiling me into the belief that it was a representation of a competitor in the pentathlum. It stands by the side of Anauchidas of Elis, and it holds ancient jumping-weights. An elegiac couplet is written on its thigh:–
To Zeus, king of the gods, as first-fruits was I placed here
By the Mendeans, who reduced Sipte by might of hand.
Sipte seems to be a Thracian fortress and city. The Mendeans themselves are of Greek descent, coming from Ionia, and they live inland at some distance from the sea that is by the city of Aenus.
6.7.9] Next to the sons of Alcaenetus stand Gnathon, a Maenalian of Dipaea, and Lucinus of Elis. These too succeeded in beating the boys at boxing at Olympia. The inscription on his statue says that Gnathon was very young indeed when he won his victory. The artist who made the statue was Callicles of Megara.

[6.24.1] XXIV. One of the two ways from the gymnasium leads to the market-place, and to what is called the Umpires' Room; it is above the grave of Achilles, and by it the umpires are wont to go to the gymnasium. They enter before sunrise to match the runners, and at midday for the pentathlum and for such contests as are called heavy.
[6.24.2] The market-place of Elis is not after the fashion of the cities of Ionia and of the Greek cities near Ionia; it is built in the older manner,

Those who shared in the expedition of the Ionians were the following among the Greeks: some Thebans under Philotas, a descendant of Peneleus; Minyans of Orchomenus, because they were related to the sons of Codrus.
[7.1.6] The history of the Ionians in relation to the Achaeans I will give as soon as I have explained the reason why the inhabitants of Lacedaemon and Argos were the only Peloponnesians to be called Achaeans before the return of the Dorians. Archander and Architeles, sons of Achaeus, came from Phthiotis to Argos, and after their arrival became sons-in-law of Danaus, Architeles marrying Automate and Archander Scaea. A very clear proof that they settled in Argos is the fact that Archander named his son Metanastes (Settler).
[7.1.7] When the sons of Achaeus came to power in Argos and Lacedaemon, the inhabitants of these towns came to be called Achaeans. The name Achaeans was common to them; the Argives had the special name of Danai. On the occasion referred to, being expelled by the Dorians from Argos and Lacedaemon, the Achaeans themselves and their king Tisamenus, the son of Orestes, sent heralds to the Ionians, offering to settle among them without warfare. But the kings of the Ionians were afraid that, if the Achaeans united with them, Tisamenus would be chosen king of the combined people because of his manliness and noble lineage.

[7.2.4] There also took part all the Phocians except the Delphians, and with them Abantes from Euboea. Ships for the voyage were given to the Phocians by Philogenes and Damon, Athenians and sons of Euctemon, who themselves led the colony. When they landed in Asia they divided, the different parties attacking the different cities on the coast, and Neileus with his party made for Miletus.

MILETOS, MYTHICAL HISTORY
[7.2.5] The Milesians themselves give the following account of their earliest history. For two generations, they say, their land was called Anactoria, during the reigns of Anax, an aboriginal, and of Asterius his son; but when Miletus landed with an army of Cretans both the land and the city changed their name to Miletus. Miletus and his men came from Crete, fleeing from Minos, the son of Europa; the Carians, the former inhabitants of the land, united with the Cretans. But to resume.
[7.2.6] When the Ionians had overcome the ancient Milesians they killed every male, except those who escaped at the capture of the city, but the wives of the Milesians and their daughters they married.
The grave of Neileus is on the left of the road, not far from the gate, as you go to Didymi.

EPHESOS, MYTHICAL HISTORY
The sanctuary of Apollo at Didymi, and his oracle, are earlier than the immigration of the Ionians, while the cult of Ephesian Artemis is far more ancient still than their coming.
[7.2.7] Pindar, however, it seems to me, did not learn everything about the goddess, for he says that this sanctuary was founded by the Amazons during their campaign against Athens and Theseus.2 It is a fact that the women from the Thermodon, as they knew the sanctuary from of old, sacrificed to the Ephesian goddess both on this occasion and when they had fled from Heracles; some of them earlier still, when they had fled from Dionysus, having come to the sanctuary as suppliants. However, it was not by the Amazons that the sanctuary was founded, but by Coresus, an aboriginal, and Ephesus, who is thought to have been a son of the river Cayster, and from Ephesus the city received its name.
[7.2.8] The inhabitants of the land were partly Leleges, a branch of the Carians, but the greater number were Lydians. In addition there were others who dwelt around the sanctuary for the sake of its protection, and these included some women of the race of the Amazons.

COLONIZATION OF EPHESOS, HISTORY
But Androclus the son of Codrus (for he it was who was appointed king of the Ionians who sailed against Ephesus) expelled from the land the Leleges and Lydians who occupied the upper city. Those, however, who dwelt around the sanctuary had nothing to fear; they exchanged oaths of friendship with the Ionians and escaped warfare. Androclus also took Samos from the Samians, and for a time the Ephesians held Samos and the adjacent islands.
[7.2.9] But after that the Samians had returned to their own land, Androclus helped the people of Priene against the Carians. The Greek army was victorious, but Androclus was killed in the battle. The Ephesians carried off his body and buried it in their own land, at the spot where his tomb is pointed out at the present day, on the road leading from the sanctuary past the Olympieum to the Magnesian gate. On the tomb is a statue of an armed man.

ERYTHRAE, MYTHICAL HISTORY
[7.3.7] The Erythraeans say that they came originally from Crete with Erythrus the son of Rhadamanthus, and that this Erythrus was the founder of their city. Along with the Cretans there dwelt in the city Lycians, Carians and Pamphylians; Lycians because of their kinship with the Cretans, as they came of old from Crete, having fled along with Sarpedon; Carians because of their ancient friendship with Minos; Pamphylians because they too belong to the Greek race, being among those who after the taking of Troy wandered with Calchas.

COLONIZATION OF ERYTHRAE, HISTORY
The peoples I have enumerated occupied Erythrae when Cleopus the son of Codrus gathered men from all the cities of Ionia, so many from each, and introduced them as settlers among the Erythraeans.

COLONIZATION OF SMYRNA, HISTORY
[7.5.1] V. Smyrna, one of the twelve Aeolian cities, built on that site which even now they call the old city, was seized by Ionians who set out from Colophon and displaced the Aeolians; subsequently, however, the Ionians allowed the Smyrnaeans to take their place in the general assembly at Panionium. The modern city was founded by Alexander, the son of Philip, in accordance with a vision in a dream.
[7.5.2] It is said that Alexander was hunting on Mount Pagus, and that after the hunt was over he came to a sanctuary of the Nemeses, and found there a spring and a plane-tree in front of the sanctuary, growing over the water. While he slept under the plane-tree it is said that the Nemeses appeared and bade him found a city there and to remove into it the Smyrnaeans from the old city.
[7.5.3] So the Smyrnaeans sent ambassadors to Clarus to make inquiries about the circumstance, and the god made answer:–
Thrice, yes, four times blest will those men be
Who shall dwell in Pagus beyond the sacred Meles.
So they migrated of their own free will, and believe now in two Nemeses instead of one, saying that their mother is Night, while the Athenians say that the father of the goddess6 in Rhamnus is Ocean.

COLONIES OF IONIA
[7.5.4] The land of the Ionians has the finest possible climate, and sanctuaries such as are to be found nowhere else. First because of its size and wealth is that of the Ephesian goddess, and then come two unfinished sanctuaries of Apollo, the one in Branchidae, in Milesian territory, and the one at Clarus in the land of the Colophonians. Besides these, two temples in Ionia were burnt down by the Persians, the one of Hera in Samos and that of Athena at Phocaea. Damaged though they are by fire, I found them a wonder.
[7.5.5] You would be delighted too with the sanctuary of Heracles at Erythrae and with the temple of Athena at Priene, the latter because of its image and the former on account of its age. The image is like neither the Aeginetan, as they are called, nor yet the most ancient Attic images; it is absolutely Egyptian, if ever there was such. There was a wooden raft, on which the god set out from Tyre in Phoenicia. The reason for this we are not told even by the Erythraeans themselves.
[7.5.6] They say that when the raft reached the Ionian sea it came to rest at the cape called Mesate (Middle) which is on the mainland, just midway between the harbor of the Erythraeans and the island of Chios. When the raft rested off the cape the Erythraeans made great efforts, and the Chians no less, both being keen to land the image on their own shores.
[7.5.7] At last a man of Erythrae (his name was Phormio) who gained a living by the sea and by catching fish, but had lost his sight through disease, saw a vision in a dream to the effect that the women of Erythrae must cut off their locks, and in this way the men would, with a rope woven from the hair, tow the raft to their shores. The women of the citizens absolutely refused to obey the dream;
[7.5.8] but the Thracian women, both the slaves and the free who lived there, offered themselves to be shorn. And so the men of Erythrae towed the raft ashore. Accordingly no women except Thracian women are allowed within the sanctuary of Heracles, and the hair rope is still kept by the natives. The same people say that the fisherman recovered his sight and retained it for the rest of his life.
[7.5.9] There is also in Erythrae a temple of Athena Polias and a huge wooden image of her sitting on a throne; she holds a distaff in either hand and wears a firmament on her head. That this image is the work of Endoeus we inferred, among other signs, from the workmanship, and especially from the white marble images of Graces and Seasons that stand in the open before the entrance. A sanctuary too of Asclepius was made by the Smyrnaeans in my time between Mount Coryphe and a sea into which no other water flows.

[7.5.10] Ionia has other things to record besides its sanctuaries and its climate. There is, for instance, in the land of the Ephesians the river Cenchrius, the strange mountain of Pion and the spring Halitaea. The land of Miletus has the spring Biblis, of whose love the poets have sung. In the land of Colophon is the grove of Apollo, of ash-trees, and not far from the grove is the river Ales, the coldest river in Ionia.
[7.5.11] In the land of Lebedus are baths, which are both wonderful and useful. Teos, too, has baths at Cape Macria, some in the clefts of the rock, filled by the tide, others made to display wealth. The Clazomenians have baths (incidentally they worship Agamemnon) and a cave called the cave of the mother of Pyrrhus; they tell a legend about Pyrrhus the shepherd.
[7.5.12] The Erythraeans have a district called Calchis, from which their third tribe takes its name, and in Calchis is a cape stretching into the sea, and on it are sea baths, the most useful baths in Ionia. The Smyrnaeans have the river Meles, with its lovely water, and at its springs is the grotto, where they say that Homer composed his poems.

DYME
[7.17.5] To resume after my researches into Achaean history. The boundary between Achaia and Elis is the river Larisus, and by the river is a temple of Larisaean Athena; about thirty stades distant from the Larisus is Dyme, an Achaean city. This was the only Achaean city that in his wars Philip the son of Demetrius made subject to him, and for this reason Sulpicius, another Roman governor, handed over Dyme to be sacked by his soldiery. Afterwards Augustus annexed it to Patrae.
[7.17.6] Its more ancient name was Paleia, but the Ionians changed this to its modern name while they still occupied the city;

[7.17.8] A little before the city of Dyme there is, on the right of the road, the grave of Sostratus. He was a native youth, loved they say by Heracles, who outliving Sostratus made him his tomb and gave him some hair from his head as a primal offering. Even today there is a slab on the top of the mound, with a figure of Heracles in relief. I was told that the natives also sacrifice to Sostratus as to a hero.
[7.17.9] The people of Dyme have a temple of Athena with an extremely ancient image; they have as well a sanctuary built for the Dindymenian mother and Attis. As to Attis, I could learn no secret about him,36 but Hermesianax, the elegiac poet, says in a poem that he was the son of Galaus the Phrygian, and that he was a eunuch from birth. The account of Hermesianax goes on to say that, on growing up, Attis migrated to Lydia and celebrated for the Lydians the orgies of the Mother; that he rose to such honor with her that Zeus, being wroth at it,37 sent a boar to destroy the tillage of the Lydians.
[7.17.10] Then certain Lydians, with Attis himself, were killed by the boar, and it is consistent with this that the Gauls who inhabit Pessinus abstain from pork. But the current view about Attis is different, the local legend about him being this. Zeus, it is said, let fall in his sleep seed upon the ground, which in course of time sent up a demon, with two sexual organs, male and female. They call the demon Agdistis. But the gods, fearing38 Agdistis, cut off the male organ.
[7.17.11] There grew up from it an almond-tree with its fruit ripe, and a daughter of the river Sangarius, they say, took of the fruit and laid it in her bosom, when it at once disappeared, but she was with child. A boy was born, and exposed, but was tended by a he-goat. As he grew up his beauty was more than human, and Agdistis fell in love with him. When he had grown up, Attis was sent by his relatives to Pessinus, that he might wed the king's daughter.
[7.17.12] The marriage-song was being sung, when Agdistis appeared, and Attis went mad and cut off his genitals, as also did he who was giving him his daughter in marriage. But Agdistis repented of what he had done to Attis, and persuaded Zeus to grant that the body of Attis should neither rot at all nor decay.
[7.17.13] These are the most popular forms of the legend of Attis.

CULT OF ARTEMIS LAPHRIA
[7.18.9] Most of the images out of Aetolia and from Acarnania were brought by Augustus' orders to Nicopolis, but to Patrae he gave, with other spoils from Calydon, the image of Laphria, which even in my time was still worshipped on the acropolis of Patrae. It is said that the goddess was surnamed Laphria after a man of Phocis, because the ancient image of Artemis was set up at Calydon by Laphrius, the son of Castalius, the son of Delphus.
[7.18.10] Others say that the wrath of Artemis against Oeneus weighed as time went on more lightly (elaphroteron) on the Calydonians, and they believe that this was why the goddess received her surname. The image represents her in the guise of a huntress; it is made of ivory and gold, and the artists were Menaechmus and Soldas of Naupactus, who, it is inferred, lived not much later than Canachus of Sicyon and Callon of Aegina.
[7.18.11] Every year too the people of Patrae celebrate the festival Laphria in honor of their Artemis, and at it they employ a method of sacrifice peculiar to the place. Round the altar in a circle they set up logs of wood still green, each of them sixteen cubits long. On the altar within the circle is placed the driest of their wood. Just before the time of the festival they construct a smooth ascent to the altar, piling earth upon the altar steps.
[7.18.12] The festival begins with a most splendid procession in honor of Artemis, and the maiden officiating as priestess rides last in the procession upon a car yoked to deer. It is, however, not till the next day that the sacrifice is offered, and the festival is not only a state function but also quite a popular general holiday. For the people throw alive upon the altar edible birds and every kind of victim as well; there are wild boars, deer and gazelles; some bring wolf-cubs or bear-cubs, others the full-grown beasts. They also place upon the altar fruit of cultivated trees.

[7.18.13] Next they set fire to the wood. At this point I have seen some of the beasts, including a bear, forcing their way outside at the first rush of the flames, some of them actually escaping by their strength. But those who threw them in drag them back again to the pyre. It is not remembered that anybody has ever been wounded by the beasts.

[7.20.3] On the way to the lower city there is a sanctuary of the Dindymenian Mother, and in it Attis too is worshipped. Of him they have no image to show; that of the Mother is of stone. In the marketplace is a temple of Olympian Zeus; the god himself is on a throne with Athena standing by it. Beyond the Olympian is an image of Hera and a sanctuary of Apollo. The god is of bronze, and naked. On his feet are sandals, and one foot stands upon the skull of an ox.

[7.20.7] As you leave the market-place of Patrae, where the sanctuary of Apollo is, at this exit is a gate, upon which stand gilt statues, Patreus, Preugenes, and Atherion; the two latter are represented as boys, because Patreus is a boy in age. Opposite the marketplace by this exit is a precinct and temple of Artemis, the Lady of the Lake.
[7.20.8] When the Dorians were now in possession of Lacedaemon and Argos, it is said that Preugenes, in obedience to a dream, stole from Sparta the image of our Lady of the Lake, and that he had as partner in his exploit the most devoted of his slaves. The image from Lacedaemon is usually kept at Mesoa, because it was to this place that it was originally brought by Preugenes. But when the festival of our Lady is being held, one of the slaves of the goddess comes from Mesoa bringing the ancient wooden image to the precinct in the city.
[7.20.9] Near this precinct the people of Patrae have other sanctuaries. These are not in the open, but there is an entrance to them through the porticoes. The image of Asclepius, save for the drapery, is of stone; Athena is made of ivory and gold. Before the sanctuary of Athena is the tomb of Preugenes. Every year they sacrifice to Preugenes as to a hero, and likewise to Patreus also, when the festival of our Lady is being held. Not far from the theater is a temple of Nemesis, and another of Aphrodite. The images are colossal and of white marble.

[7.21.12] Before the sanctuary of Demeter is a spring. On the side of this towards the temple stands a wall of stones, while on the outer side has been made a descent to the spring. Here there is an infallible oracle, not indeed for everything, but only in the case of sick folk. They tie a mirror to a fine cord and let it down, judging the distance so that it does not sink deep into the spring, but just far enough to touch the water with its rim.41 Then they pray to the goddess and burn incense, after which they look into the mirror, which shows them the patient either alive or dead.
[7.21.13] This water partakes to this extent of truth, but close to Cyaneae by Lycia, where there is an oracle of Apollo Thyrxeus, the water shows to him who looks into the spring all the things that he wants to behold. By the grove in Patrae are also two sanctuaries of Serapis. In one is the tomb of Aegyptus, the son of Belus. He is said by the people of Patrae to have fled to Aroe because of the misfortunes of his children and because he shuddered at the mere name of Argos, and even more through dread of Danaus.
[7.21.14] There is also at Patrae a sanctuary of Asclepius. This sanctuary is beyond the acropolis near the gate leading to Mesatis. The women of Patrae outnumber the men by two to one. These women are amongst the most charming in the world. Most of them gain a livelihood from the fine flax that grows in Elis, weaving from it nets for the head as well as dresses.

[7.22.3] Coming at eventide, the inquirer of the god, having burnt incense upon the hearth, filled the lamps with oil and lighted them, puts on the altar on the right of the image a local coin, called a “copper,” and asks in the ear of the god the particular question he wishes to put to him. After that he stops his ears and leaves the marketplace. On coming outside he takes his hands from his ears, and whatever utterance he hears he considers oracular.
[7.22.4] There is a similar method of divination practised at the sanctuary of Apis in Egypt. At Pharae there is also a water sacred to Hermes. The name of the spring is Hermes' stream, and the fish in it are not caught, being considered sacred to the god. Quite close to the image stand square stones, about thirty in number. These the people of Pharae adore, calling each by the name of some god. At a more remote period all the Greeks alike worshipped uncarved stones instead of images of the gods.

[7.24.2] By the sea at Aegium is a sanctuary of Aphrodite, and after it one of Poseidon; there is also one of the Maiden, daughter of Demeter, and one to Zeus Homagyrius (Assembler). Here are images of Zeus, of Aphrodite and of Athena. The surname Assembler was given to Zeus because in this place Agamemnon assembled the most eminent men in Greece, in order that they might consult together how to make war on the empire of Priam. Among the claims of Agamemnon to renown is that he destroyed Troy and the cities around her44 with the forces that followed him originally, without any later reinforcements.

EARTHQUAKES OF HELICE, HISTORY
But the wrath of Poseidon visited them without delay; an earthquake promptly struck their land and swallowed up, without leaving a trace for posterity to see, both the buildings and the very site on which the city stood.
[7.24.7] Warnings, usually the same in all cases, are wont to be sent by the god before violent and far-reaching earthquakes. Either continuous storms of rain or else continuous droughts occur before earthquakes for an unusual length of time, and the weather is unseasonable. In winter it turns too hot, and in summer along with a tendency to haze the orb of the sun presents an unusual color, slightly inclining to red or else to black.
[7.24.8] Springs of water generally dry up; blasts of wind sometimes swoop upon the land and overturn the trees; occasionally great flames dart across the sky; the shapes of stars too appear such as have never been witnessed before, producing consternation in those that witness them; furthermore there is a violent rumbling of winds beneath the earth – these and many other warnings is the god wont to send before violent earthquakes occur.
[7.24.9] The shock itself is not of one fixed type, but the original inquirers into such matters and their pupils have been able to discover the following forms of earthquake. The mildest form – that is, if such a calamity admits of mitigation – is when there coincides with the original shock, which levels the buildings with the ground, a shock in the opposite direction, counteracting the first and raising up the buildings already knocked over.
[7.24.10] In this form of' earthquake pillars may be seen righting themselves which have been almost entirely uprooted, split walls coming together to their original position; beams, dislocated by the shock, go back to their places, and likewise channels, and such-like means of furthering the flow of water, have their cracks cemented better than they could be by human craftsmen. Now the second form of earthquake brings destruction to anything liable to it, and it throws over at once, as it were by a battering-ram, whatever meets the force of its impact.
[7.24.11] The most destructive kind of earthquake the experts are wont to liken to the symptoms of a man suffering from a non-intermittent fever, the breathing of such a patient being rapid and laboured. There are symptoms of this to be found in many parts of the body, especially at each wrist. In the same way, they say, the earthquake dives directly under buildings and shakes up their foundations, just as molehills come up from the bowels of the earth. It is this sort of shock alone that leaves no trace on the ground that men ever dwelt there.
[7.24.12] This was the type of earthquake, they say, that on the occasion referred to levelled Helice to the ground, and that it was accompanied by another disaster in the season of winter. The sea flooded a great part of the land, and covered up the whole of Helice all round. Moreover, the tide was so deep in the grove of Poseidon that only the tops of the trees remained visible. What with the sudden earthquake, and the invasion of the sea that accompanied it, the tidal wave swallowed up Helice and every man in it.

[7.24.13] A similar fate, though different in type,46 came upon a city on Mount Sipylus, so that it vanished into a chasm. The mountain split, water welled up from the fissure, and the chasm became a lake called Saloe. The ruins of the city were to be seen in the lake, until the water of the torrent hid them from view. The ruins of Helice too are visible, but not so plainly now as they were once, because they are corroded by the salt water.

CERYNEIA
[7.25.5] After Helice you will turn from the sea to the right and you will come to the town of Ceryneia. It is built on a mountain above the high road, and its name was given to it either by a native potentate or by the river Cerynites, which, flowing from Arcadia and Mount Ceryneia, passes through this part of Achaia. To this part came as settlers Mycenaeans from Argolis because of a catastrophe. Though the Argives could not take the wall of Mycenae by storm,
[7.25.6] built as it was like the wall of Tiryns by the Cyclopes, as they are called, yet the Mycenaeans were forced to leave their city through lack of provisions. Some of them departed for Cleonae, but more than half of the population took refuge with Alexander in Macedonia, to whom Mardonius, the son of Gobryas, entrusted the message to be given to the Athenians.48 The rest of the population came to Ceryneia, and the addition of the Mycenaeans made Ceryneia more powerful, through the increase of the population, and more renowned for the future.

[7.25.10] On descending from Bura towards the sea you come to a river called Buraicus, and to a small Heracles in a cave. He too is surnamed Buraicus, and here one can divine by means of a tablet and dice. He who inquires of the god offers up a prayer in front of the image, and after the prayer he takes four dice, a plentiful supply of which are placed by Heracles, and throws them upon the table. For every figure made by the dice there is an explanation expressly written on the tablet.50

[7.26.7] There are in a temple standing images of Asclepius, and elsewhere images of Serapis and of Isis, these too being of Pentelic marble. They worship most devoutly the Heavenly Goddess, but human beings must not enter her sanctuary. But into the sanctuary of the goddess they surname Syrian they enter on stated days, but they must submit beforehand to certain customary purifications, especially in the matter of diet.

[7.26.13] Between Aegeira and Pellene once stood a town, subject to the Sicyonians and called Donussa, which was laid waste by the Sicyonians;it is mentioned, they say, in a verse of Homer that occurs in the list of those who accompanied Agamemnon:–
And the men of Hyperesia and those of steep Donoessa. Hom. Il. 2.573
They go on to say that when Peisistratus collected the poems of Homer, which were scattered and handed down by tradition, some in one place and some in another, then either he or one of his colleagues perverted the name through ignorance.

7.27.3] Above the temple of Athena is a grove, surrounded by a wall, of Artemis surnamed Saviour, by whom they swear their most solemn oaths. No man may enter the grove except the priests. These priests are natives, chosen chiefly because of their high birth. Opposite the grove of the Saviour is a sanctuary of Dionysus surnamed Torch. In his honor they celebrate a festival called the Feast of Torches, when they bring by night firebrands into the sanctuary, and set up bowls of wine throughout the whole city.

[8.2.3] For Cecrops was the first to name Zeus the Supreme god, and refused to sacrifice anything that had life in it, but burnt instead on the altar the national cakes which the Athenians still call pelanoi. But Lycaon brought a human baby to the altar of Lycaean Zeus, and sacrificed it, pouring out its blood upon the altar, and according to the legend immediately after the sacrifice he was changed from a man to a wolf (Lycos).
[8.2.4] I for my part believe this story; it has been a legend among the Arcadians from of old, and it has the additional merit of probability. For the men of those days, because of their righteousness and piety, were guests of the gods, eating at the same board; the good were openly honored by the gods, and sinners were openly visited with their wrath. Nay, in those days men were changed to gods, who down to the present day have honors paid to them – Aristaeus, Britomartis of Crete, Heracles the son of Alcmena, Amphiaraus the son of Oicles, and besides these Polydeuces and Castor.
[8.2.5] So one might believe that Lycaon was turned into a beast, and Niobe, the daughter of Tantalus, into a stone. But at the present time, when sin has grown to such a height and has been spreading over every land and every city, no longer do men turn into gods, except in the flattering words addressed to despots, and the wrath of the gods is reserved until the sinners have departed to the next world.
[8.2.6] All through the ages, many events that have occurred in the past, and even some that occur to-day, have been generally discredited because of the lies built up on a foundation of fact. It is said, for instance, that ever since the time of Lycaon a man has changed into a wolf at the sacrifice to Lycaean Zeus, but that the change is not for life; if, when he is a wolf, he abstains from human flesh, after nine years he becomes a man again, but if he tastes human flesh he remains a beast for ever.
[8.2.7] Similarly too it is said that Niobe on Mount Sipylus sheds tears in the season of summer. I have also heard that the griffins have spots like the leopard, and that the Tritons speak with human voice, though others say that they blow through a shell that has been bored. Those who like to listen to the miraculous are themselves apt to add to the marvel, and so they ruin truth by mixing it with falsehood.

[8.3.5] But Oenotrus, the youngest of the sons of Lycaon, asked his brother Nyctimus for money and men and crossed by sea to Italy; the land of Oenotria received its name from Oenotrus who was its king. This was the first expedition despatched from Greece to found a colony, and if a man makes the most careful calculation possible he will discover that no foreigners either emigrated to another land before Oenotrus. In addition to all this male issue, Lycaon had a daughter Callisto. This Callisto (I repeat the current Greek legend) was loved by Zeus and mated with him. When Hera detected the intrigue she turned Callisto into a bear, and Artemis to please Hera shot the bear. Zeus sent Hermes with orders to save the child that Callisto bore in her womb,

[8.4.1] IV. After the death of Nyctimus, Arcas the son of Callisto came to the throne. He introduced the cultivation of crops, which he learned from Triptolemus, and taught men to make bread, to weave clothes, and other things besides, having learned the art of spinning from Adristas. After this king the land was called Arcadia instead of Pelasgia and its inhabitants Arcadians instead of Pelasgians.

[8.4.2] His wife, according to the legend, was no mortal woman but a Dryad nymph. For they used to call some nymphs Dryads, others Epimeliads, and others Naiads, and Homer in his poetry talks mostly of Naiad nymphs. This nymph they call Erato, and by her they say that Arcas had Azan, Apheidas and Elatus. Previously he had had Autolaus, an illegitimate son.

[8.4.3] When his sons grew up, Arcas divided the land between them into three parts, and one district was named Azania after Azan; from Azania, it is said, settled the colonists who dwell about the cave in Phrygia called Steunos and the river Pencalas. To Apheidas fell Tegea and the land adjoining, and for this reason poets too call Tegea “the lot of Apheidas.”

[8.4.8] After Aepytus Aleus came to the throne. For Agamedes and Gortys, the sons of Stymphalus, were three generations removed from Arcas, and Aleus, the son of Apheidas, two generations. Aleus built the old sanctuary in Tegea of Athena Alea, and made Tegea the capital of his kingdom. Gortys the son of Stymphalus founded the city Gortys on a river which is also called after him. The sons of Aleus were Lycurgus, Amphidamas and Cepheus; he also had a daughter Auge.
[8.4.9] Hecataeus says that this Auge used to have intercourse with Heracles when he came to Tegea. At last it was discovered that she had borne a child to Heracles, and Aleus, putting her with her infant son in a chest, sent them out to sea. She came to Teuthras, lord of the plain of the Caicus, who fell in love with her and married her. The tomb of Auge still exists at Pergamus above the Calcus; it is a mound of earth surrounded by a basement of stone and surmounted by a figure of a naked woman in bronze.

ARCADIA, HISTORY
THE UNTILLED PLAIN
[8.7.1] VII. After crossing into Mantinean country over Mount Artemisius you will come to a plain called the Untilled Plain, whose name well describes it, for the rain-water coming down into it from the mountains prevents the plain from being tilled; nothing indeed could prevent it from being a lake, were it not that the water disappears into a chasm in the earth.
[8.7.2] After disappearing here it rises again at Dine (Whirlpool). Dine is a stream of fresh water rising out of the sea by what is called Genethlium in Argolis. In olden times the Argives cast horses adorned with bridles down into Dine as an offering to Poseidon. Not only here in Argolis, but also by Cheimerium in Thesprotis, is there unmistakably fresh water rising up in the sea.
[8.7.3] A greater marvel still is the water that boils in the Maeander, which comes partly from a rock surrounded by the stream, and partly rises from the mud of the river. In front of Dicaearchia also, in the land of the Etruscans, there is water boiling in the sea, and an artificial island has been made through it, so that this water is not “untilled,”13 but serves for hot baths.

[8.9.7] Antinous too was deified by them; his temple is the newest in Mantineia. He was a great favorite of the Emperor Hadrian. I never saw him in the flesh, but I have seen images and pictures of him. He has honors in other places also, and on the Nile is an Egyptian city named after Antinous. He has won worship in Mantineia for the following reason. Antinous was by birth from Bithynium beyond the river Sangarius, and the Bithynians are by descent Arcadians of Mantineia.

[8.10.4] There is an old legend that a wave of sea-water rises up in the sanctuary. A like story is told by the Athenians about the wave on the Acropolis, and by the Carians living in Mylasa about the sanctuary of the god called in the native tongue Osogoa. But the sea at Phalerum is about twenty stades distant from Athens, and the port of Mylasa is eighty stades from the city. But at Mantineia the sea rises after a very long distance, and quite plainly through the divine will.

OLD MANTINEIA & MAERA
[8.12.5] In addition to the roads mentioned there are two others, leading to Orchomenus. On one is what is called the stadium of Ladas, where Ladas practised his running, and by it a sanctuary of Artemis, and on the right of the road is a high mound of earth. It is said to be the grave of Penelope, but the account of her in the poem called Thesprotis is not in agreement with this saying.
[8.12.6] For in it the poet says that when Odysseus returned from Troy he had a son Ptoliporthes by Penelope. But the Mantinean story about Penelope says that Odysseus convicted her of bringing paramours to his home, and being cast out by him she went away at first to Lacedaemon, but afterwards she removed from Sparta to Mantineia, where she died.
[8.12.7] Adjoining this grave is a plain of no great size, and on the plain is a mountain whereon still stand the ruins of old Mantineia. To-day the place is called Ptolis. Advancing a little way to the north of it you come to the spring of Alalcomeneia, and thirty stades from Ptolis are the ruins of a village called Maera, with the grave of Maera, if it be really the case that Maera was buried here and not in Tegean land. For probably the Tegeans, and not the Mantineans, are right when they say that Maera, the daughter of Atlas, was buried in their land. Perhaps, however, the Maera who came to the land of Mantineia was another, a descendant of Maera, the daughter of Atlas.

MT ANCHISIA
[8.12.8] There still remains the road leading to Orchomenus, on which are Mount Anchisia and the tomb of Anchises at the foot of the mountain. For when Aeneas was voyaging to Sicily, he put in with his ships to Laconia, becoming the founder of the cities Aphrodisias and Etis; his father Anchises for some reason or other came to this place and died there, where Aeneas buried him. This mountain they call Anchisia after Anchises.
[8.12.9] The probability of this story is strengthened by the fact that the Aeolians who to-day occupy Troy nowhere point out a tomb of Anchises in their own land. Near the grave of Anchises are the ruins of a sanctuary of Aphrodite, and at Anchisiae is the boundary between Mantineia and Orchomenus.

ORCHOMENUS
[8.13.1] XIII. In the territory of Orchomenus, on the left of the road from Anchisiae, there is on the slope of the mountain the sanctuary of Artemis Hymnia. The Mantineans, too, share it . . . a priestess also and a priest. It is the custom for these to live their whole lives in purity, not only sexual but in all respects, and they neither wash nor spend their lives as do ordinary people, nor do they enter the home of a private man. I know that the “entertainers” of the Ephesian Artemis live in a similar fashion, but for a year only, the Ephesians calling them Essenes. They also hold an annual festival in honor of Artemis Hymnia.
[8.14.10] They still sacrifice to Iphicles as to a hero, and of the gods the people of Pheneus worship most Hermes, in whose honor they celebrate the games called Hermaea; they have also a temple of Hermes, and a stone image, made by an Athenian, Eucheir the son of Eubulides. Behind the temple is the grave of Myrtilus. The Greeks say that he was the son of Hermes, and that he served as charioteer to Oenomaus. Whenever a man arrived to woo the daughter of Oenomaus, Myrtilus craftily drove on the mares, while Oenomaus on the course shot down the wooer when he came near.
[8.14.11] Myrtilus himself, too, was in love with Hippodameia, but his courage failing him he shrank from the competition and served Oenomaus as his charioteer. At last, it is said, he proved a traitor to Oenomaus, being induced thereto by an oath sworn by Pelops that he would let him be with Hippodameia for one night. So when reminded of his oath Pelops threw him out of the ship. The people of Pheneus say that the body of Myrtilus was cast ashore by the tide, that they took it up and buried it, and that every year they sacrifice to him by night as to a hero.
[8.14.12] It is plain that Pelops did not make a long coasting voyage, but only sailed from the mouth of the Alpheius to the harbor of Elis. So the Sea of Myrto is obviously not named after Myrtilus, the son of Hermes, as it begins at Euboea and reaches the Aegaean by way of the uninhabited island of Helene. I think that a probable account is given by the antiquarians of Euboea, who say that the sea is named after a woman called Myrto.

[8.15.1] XV. The people of Pheneus have also a sanctuary of Demeter, surnamed Eleusinian, and they perform a ritual to the goddess, saying that the ceremonies at Eleusis are the same as those established among themselves. For Naus, they assert, came to them because of an oracle from Delphi, being a grandson of Eumolpus. Beside the sanctuary of the Eleusinian has been set up Petroma, as it is called, consisting of two large stones fitted one to the other.
[8.15.2] When every other year they celebrate what they call the Greater Rites, they open these stones. They take from out them writings that refer to the rites, read them in the hearing of the initiated, and return them on the same night. Most Pheneatians, too, I know, take an oath by the Petroma in the most important affairs.
[8.15.3] On the top is a sphere, with a mask inside of Demeter Cidaria. This mask is put on by the priest at the Greater Rites, who for some reason or other beats with rods the Folk Underground. The Pheneatians have a story that even before Naus arrived the wanderings of Demeter brought her to their city also. To those Pheneatians who received her with hospitality into their homes the goddess gave all sorts of pulse save the bean only.

[8.16.3] The grave of Aepytus I was especially anxious to see, because Homer27 in his verses about the Arcadians makes mention of the tomb of Aepytus. It is a mound of earth of no great size, surrounded by a circular base of stone. Homer naturally was bound to admire it, as he had never seen a more noteworthy tomb, just as he compares the dance worked by Hephaestus on the shield of Achilles to a dance made by Daedalus, because he had never seen more clever workmanship.
[8.16.4] I know many wonderful graves, and will mention two of them, the one at Halicarnassus and one in the land of the Hebrews. The one at Halicarnassus was made for Mausolus, king of the city, and it is of such vast size, and so notable for all its ornament, that the Romans in their great admiration of it call remarkable tombs in their country “Mausolea.”
[8.16.5] The Hebrews have a grave, that of Helen, a native woman, in the city of Jerusalem, which the Roman Emperor razed to the ground. There is a contrivance in the grave whereby the door, which like all the grave is of stone, does not open until the year brings back the same day and the same hour. Then the mechanism, unaided, opens the door, which, after a short interval, shuts itself. This happens at that time, but should you at any other try to open the door you cannot do so; force will not open it, but only break it down.

[8.17.6] As you go from Pheneus to the west, the left road leads to the city Cleitor, while on the right is the road to Nonacris and the water of the Styx. Of old Nonacris was a town of the Arcadians that was named after the wife of Lycaon. When I visited it, it was in ruins, and most of these were hidden. Not far from the ruins is a high cliff; I know of none other that rises to so great a height. A water trickles down the cliff, called by the Greeks the water of the Styx.
[8.18.1] XVIII. Hesiod in the Theogony29 – for there are some who assign this hexameter poem to Hesiod – speaks of Styx as the daughter of Ocean and the wife of Pallas. Men say that Linus too gives a like account in his verses, though when I read these they struck me as altogether spurious.

[8.18.4] The water trickling down the cliff by the side of Nonacris falls first to a high rock, through which it passes and then descends into the river Crathis. Its water brings death to all, man and beast alike. It is said too that it once brought death even upon goats, which drank of the water first; later on all the wonderful properties of the water were learnt.
[8.18.5] For glass, crystal, murrhine vessels, other articles men make of stone, and pottery, are all broken by the water of the Styx, while things of horn or of bone, with iron, bronze, lead, tin, silver and electrum, are all corroded by this water. Gold too suffers just like all the other metals, and yet gold is immune to rust, as the Lesbian poetess bears witness and is shown by the metal itself.

[8.24.5] There is also a legend that Heracles at the command of Eurystheus hunted by the side of the Erymanthus a boar that surpassed all others in size and in strength. The people of Cumae among the Opici say that the boar's tusks dedicated in their sanctuary of Apollo are those of the Erymanthian boar, but the saying is altogether improbable.

[8.24.11] That the Echinades islands have not been made mainland as yet by the Achelous is due to the Aetolian people, who have been driven from their homes and all their land has been laid waste. Accordingly, as Aetolia remains untilled, the Achelous does not bring as much mud upon the Echinades as it otherwise would do. My reasoning is confirmed by the fact that the Maeander, flowing through the land of the Phrygians and Carians, which is ploughed up each year, has turned to mainland in a short time the sea that once was between Priene and Miletus.

[8.26.3] As you go down to the land of Elis from Heraea, at a distance of about fifteen stades from Heraea you will cross the Ladon, and from it to the Erymanthus is a journey of roughly twenty stades. The boundary between Heraea and the land of Elis is according to the Arcadians the Erymanthus, but the people of Elis say that the grave of Coroebus bounds their territory.

[8.27.5] The Arcadians for the most part obeyed the general resolution and assembled promptly at Megalopolis. But the people of Lycaea, Tricoloni, Lycosura and Trapezus, but no other Arcadians, repented and, being no longer ready to abandon their ancient cities, were, with the exception of the last, taken to Megalopolis by force against their will,
[8.27.6] while the inhabitants of Trapezus departed altogether from the Peloponnesus, such of them as were left and were not immediately massacred by the exasperated Arcadians. Those who escaped with their lives sailed away to Pontus and were welcomed by the citizens of Trapezus on the Euxine as their kindred, as they bore their name and came from their mother-city. The Lycosurians, although they had disobeyed, were nevertheless spared by the Arcadians because of Demeter and the Mistress, in whose sanctuary they had taken refuge.

TEUTHIS
[8.28.4] Adjoining the land of Theisoa is a village called Teuthis, which in old days was a town. In the Trojan war the inhabitants supplied a general of their own. His name according to some was Teuthis, according to others Ornytus. When the Greeks failed to secure favorable winds to take them from Aulis, but were shut in for a long time by a violent gale, Teuthis quarrelled with Agamemnon and was about to lead the Arcadians under his command back home again.
[8.28.5] Whereupon, they say, Athena in the guise of Melas, the son of Ops, tried to turn Teuthis aside from his journey home. But Teuthis, his wrath swelling within him, struck with his spear the thigh of the goddess, and actually did lead his army back from Aulis. On his return to his native land the goddess appeared to him in a vision with a wound in her thigh. After this a wasting disease fell on Teuthis, and its people, alone of the Arcadians, suffered from famine.
[8.28.6] Later, oracles were delivered to them from Dodona, telling them what to do to appease the goddess, and in particular they had an image of Athena made with a wound in the thigh. This image I have myself seen, with its thigh swathed in a purple bandage. There are also at Teuthis sanctuaries of Aphrodite and Artemis.

[8.30.5] Before the temple of the Mother is no statue, but I found still to be seen the pedestals on which statues once stood. An inscription in elegiacs on one of the pedestals says that the statue was that of Diophanes, the son of Diaeus, the man who first united the whole Peloponnesus into what was named the Achaean League.

[8.30.8] In the marketplace of that city, behind the enclosure sacred to Lycaean Zeus, is the figure of a man carved in relief on a slab, Polybius, the son of Lycortas. Elegiac verses are inscribed upon it saying that he roamed over every land and every sea, and that he became the ally of the Itomans and stayed their wrath against the Greek nation. This Polybius wrote also a history of the Romans, including how they went to war with Carthage, what the cause of the war was, and how at last, not before great dangers had been run, Scipio . . . whom they name Carthaginian, because he put an end to the war and razed Carthage to the ground.
[8.30.9] Whenever the Romans obeyed the advice of Polybius, things went well with them, but they say that whenever they would not listen to his instructions they made mistakes. All the Greek cities that were members of the Achaean League got permission from the Itomans that Polybius should draw up constitutions for them and frame laws. On the left of the portrait-statue of Polybius is the Council Chamber.

[8.31.1] XXXI. At the other end, the western, of the portico is an enclosure sacred to the Great Goddesses. The Great Goddesses are Demeter and the Maid, as I have already explained in my account of Messenia,44 and the Maid is called Saviour by the Arcadians. Carved in relief before the entrance are, on one side Artemis, on the other Asclepius and Health.

[8.33.2] For Mycenae, the leader of the Greeks in the Trojan war, and Nineveh, where was the royal palace of the Assyrians, are utterly ruined and desolate; while Boeotian Thebes, once deemed worthy to be the head of the Greek people, why, its name includes only the acropolis and its few inhabitants. Of the opulent places in the ancient world, Egyptian Thebes and Minyan Orchomenus are now less prosperous than a private individual of moderate means, while Delos, once the common market of Greece, has no Delian inhabitant, but only the men sent by the Athenians to guard the sanctuary.
[8.33.3] At Babylon the sanctuary of Belus still is left, but of the Babylon that was the greatest city of its time under the sun nothing remains but the wall. The case of Tiryns in the Argolid is the same. These places have been reduced by heaven to nothing. But the city of Alexander in Egypt, and that of Seleucus on the Orontes, that were founded but yesterday, have reached their present size and prosperity because fortune favours them.

[8.37.3] The actual images of the goddesses, Mistress and Demeter, the throne on which they sit, along with the footstool under their feet, are all made out of one piece of stone. No part of the drapery, and no part of the carvings about the throne, is fastened to another stone by iron or cement, but the whole is from one block. This stone was not brought in by them, but they say that in obedience to a dream they dug up the earth within the enclosure and so found it. The size of both images just about corresponds to the image of the Mother at Athens.

[8.37.4] These too are works of Damophon. Demeter carries a torch in her right hand; her other hand she has laid upon the Mistress. The Mistress has on her knees a staff and what is called the box, which she holds in her right hand. On both sides of the throne are images. By the side of Demeter stands Artemis wrapped in the skin of a deer, and carrying a quiver on her shoulders, while in one hand she holds a torch, in the other two serpents; by her side a bitch, of a breed suitable for hunting, is lying down.

It is said that in days of old this god also gave oracles, and that the nymph Erato became his prophetess, she who wedded Arcas, the son of Callisto.
[8.37.12] They also remember verses of Erato, which I too myself have read. Here is an altar of Ares, and there are two images of Aphrodite in a temple, one of white marble, and the other, the older, of wood. There are also wooden images of Apollo and of Athena. Of Athena a sanctuary also has been made.
[8.38.1] XXXVIII. A little farther up is the circuit of the wall of Lycosura, in which there are a few inhabitants. Of all the cities that earth has ever shown, whether on mainland or on islands, Lycosura is the oldest, and was the first that the sun beheld; from it the rest of mankind have learned how to make them cities.
[8.38.5] There is on Mount Lycaeus a sanctuary of Pan, and a grove of trees around it, with a race-course in front of which is a running-track. Of old they used to hold here the Lycaean games. Here there are also bases of statues, with now no statues on them. On one of the bases an elegiac inscription declares that the statue was a portrait of Astyanax, and that Astyanax was of the race of Arceas.
[8.38.10] One, falling into the sea by the Echinadian islands, flows through Acarnania and Aetolia, and is said by Homer in the Iliad53 to be the prince of all rivers. Another Achelous, flowing from Mount Sipylus, along with the mountain also, he takes occasion to mention in connection with his account of Niobe.54 The third river called the Achelous is the one by Mount Lycaeus.

[8.39.6] The image of Hermes in the gymnasium is like to one dressed in a cloak; but the statue does not end in feet, but in the square shape. A temple also of Dionysus is here, who by the inhabitants is surnamed Acratophorus, but the lower part of the image cannot be seen for laurel-leaves and ivy. As much of it as can be seen is painted . . . with cinnabar to shine. It is said to be found by the Iberians along with the gold.

[8.42.1] XLII. The second mountain, Mount Elaius, is some thirty stades away from Phigalia, and has a cave sacred to Demeter surnamed Black. The Phigalians accept the account of the people of Thelpusa about the mating of Poseidon and Demeter, but they assert that Demeter gave birth, not to a horse, but to the Mistress, as the Arcadians call her.

[8.42.2] Afterwards, they say, angry with Poseidon and grieved at the rape of Persephone, she put on black apparel and shut herself up in this cavern for a long time. But when all the fruits of the earth were perishing, and the human race dying yet more through famine, no god, it seemed, knew where Demeter was in hiding,
[8.42.3] until Pan, they say, visited Arcadia. Roaming from mountain to mountain as he hunted, he came at last to Mount Elaius and spied Demeter, the state she was in and the clothes she wore. So Zeus learnt this from Pan, and sent the Fates to Demeter, who listened to the Fates and laid aside her wrath, moderating her grief as well. For these reasons, the Phigalians say, they concluded that this cavern was sacred to Demeter and set up in it a wooden image.
[8.42.4] The image, they say, was made after this fashion. It was seated on a rock, like to a woman in all respects save the head. She had the head and hair of a horse, and there grew out of her head images of serpents and other beasts. Her tunic reached right to her feet; on one of her hands was a dolphin, on the other a dove. Now why they had the image made after this fashion is plain to any intelligent man who is learned in traditions. They say that they named her Black because the goddess had black apparel.
[8.42.11] It was mainly to see this Demeter that I came to Phigalia. I offered no burnt sacrifice to the goddess, that being a custom of the natives. But the rule for sacrifice by private persons, and at the annual sacrifice by the community of Phigalia, is to offer grapes and other cultivated fruits, with honeycombs and raw wool still full of its grease. These they place on the altar built before the cave, afterwards pouring oil over them.
[8.43.4] He also took away from the Brigantes in Britain the greater part of their territory, because they too had begun an unprovoked war on the province of Genunia, a Roman dependency. The cities of Lycia and of Caria, along with Cos and Rhodes, were overthrown by a violent earthquake that smote them. These cities also were restored by the emperor Antoninus, who was keenly anxious to rebuild them, and devoted vast sums to this task. As to his gifts of money to Greeks, and to such non-Greeks as needed it, and his buildings in Greece, Ionia, Carthage and Syria, others have written of them most exactly.

[8.44.3] About twenty stades away from Athenaeum are ruins of Asea, and the hill that once was the citadel has traces of fortifications to this day. Some five stades from Asea are the sources of the Alpheius and of the Eurotas, the former a little distance from the road, the latter just by the road itself. Near the source of the Alpheius is a temple of the Mother of the Gods without a roof, and two lions made of stone.
[8.48.1] XLVIII. The market-place is in shape very like a brick, and in it is a temple of Aphrodite called “in brick,” with a stone image. There are two slabs; on one are represented in relief Antiphanes, Crisus, Tyronidas and Pyrrhias, who made laws for the Tegeans, and down to this day receive honors for it from them. On the other slab is represented Iasius, holding a horse, and carrying in his right hand a branch of palm. It is said that Iasius won a horse-race at Olympia, at the time when Heracles the Theban celebrated the Olympian festival.
[8.48.2] The reason why at Olympia the victor receives a crown of wild-olive I have already explained in my account of Elis63; why at Delphi the crown is of bay I shall make plain later.64 At the Isthmus the pine, and at Nemea celery became the prize to commemorate the sufferings of Palaemon and Archemorus. At most games, however, is given a crown of palm, and at all a palm is placed in the right hand of the victor.
[8.50.1] L. As the Achaeans now turned their gaze on Philopoemen and placed in him all their hopes, he succeeded in changing the equipment of those serving in their infantry. They had been carrying short javelins and oblong shields after the fashion of the Celtic “door” or the Persian “wicker” 69 Philopoemen, however, persuaded them to put on breast-plates and greaves, and also to use Argolic shields70 and long spears.
[8.53.11] On the left of the road as you go from Tegea to Laconia there is an altar of Pan, and likewise one of Lycaean Zeus. The foundations, too, of sanctuaries are still there. These altars are two stades from the wall; and about seven stades farther on is a sanctuary of Artemis, surnamed Lady of the Lake, with an image of ebony. The fashion of the workmanship is what the Greeks call Aeginetan. Some ten stades farther on are the ruins of a temple of Artemis Cnaceatis.
[9.3.2] So Zeus followed the advice of Cithaeron. Hera heard the news at once, and at once appeared on the scene. But when she came near the wagon and tore away the dress from the image, she was pleased at the deceit, on finding it a wooden image and not a bride, and was reconciled to Zeus. To commemorate this reconciliation they celebrate a festival called Daedala, because the men of old time gave the name of daedala to wooden images. My own view is that this name was given to wooden images before Daedalus, the son of Palamaon, was born at Athens, and that he did not receive this name at birth, but that it was a surname afterwards given him from the daedala.
[9.3.4] Not far from Alalcomenae is a grove of oaks. Here the trunks of the oaks are the largest in Boeotia. To this grove come the Plataeans, and lay out portions of boiled flesh. They keep a strict watch on the crows which flock to them, but they are not troubled at all about the other birds. They mark carefully the tree on which a crow settles with the meat he has seized. They cut down the trunk of the tree on which the crow has settled, and make of it the daedalum; for this is the name that they give to the wooden image also.
[9.5.1] V. The first to occupy the land of Thebes are said to have been the Ectenes, whose king was Ogygus, an aboriginal. From his name is derived Ogygian, which is an epithet of Thebes used by most of the poets. The Ectenes perished, they say, by pestilence, and after them there settled in the land the Hyantes and the Aones, who I think were Boeotian tribes and not foreigners.
[9.5.2] When the Phoenician army under Cadmus invaded the land these tribes were defeated; the Hyantes fled from the land when night came, but the Aones begged for mercy, and were allowed by Cadmus to remain and unite with the Phoenicians. The Aones still lived in village communities, but Cadmus built the city which even at the present day is called Cadmeia. Afterwards the city grew, and so the Cadmeia became the citadel of the lower city of Thebes. Cadmus made a brilliant marriage, if, as the Greek legend says, he indeed took to wife a daughter of Aphrodite and Ares. His daughters too have made him a name; Semele was famed for having a child by Zeus, Ino for being a divinity of the sea.
[9.5.3] In the time of Cadmus, the greatest power, next after his, was in the hands of the Sparti, namely, Chthonius, Hyperenor, Pelorus and Udaeus; but it was Echion who, for his great valor, was preferred by Cadmus to be his son-in-law. As I was unable to discover anything new about these men, I adopt the story that makes their name result from the way in which they came into being. When Cadnius migrated to the Illyrian tribe of the Encheleans, Polydorus his son got the kingdom.
Homer, however, makes no mention in his poetry of Amphion's singing, and how he built the wall to the music of his harp. Amphion won fame for his music, learning from the Lydians themselves the Lydian mode, because of his relationship to Tantalus, and adding three strings to the four old ones.
[9.5.15] On the death of Thersander, when a second expedition was being mustered to fight Alexander at Troy, Peneleos was chosen to command it, because Tisamenus, the son of Thersander, was not yet old enough. When Peneleos was killed by Eurypylus, the son of Telephus, Tisamenus was chosen king, who was the son of Thersander and of Demonassa, the daughter of Amphiaraus. The Furies of Laius and Oedipus did not vent their wrath on Tisamenus, but they did on his son Autesion, so that, at the bidding of the oracle, he migrated to the Dorians.

[9.8.4] In the circuit of the ancient wall of Thebes were gates seven in number, and these remain to-day. One got its name, I learned, from Electra, the sister of Cadmus, and another, the Proetidian, from a native of Thebes. He was Proetus, but I found it difficult to discover his date and lineage. The Neistan gate, they say, got its name for the following reason. The last of the harp's strings they call nete, and Amphion invented it, they say, at this gate. I have also heard that the son of Zethus, the brother of Amphion, was named Neis, and that after him was this gate called.
[9.11.4] Here is a sanctuary of Heracles. The image, of white marble, is called Champion, and the Thebans Xenocritus and Eubius were the artists. But the ancient wooden image is thought by the Thebans to be by Daedalus, and the same opinion occurred to me. It was dedicated, they say, by Daedalus himself, as a thank-offering for a benefit. For when he was fleeing from Crete in small vessels which he had made for himself and his son Icarus, he devised for the ships sails, an invention as yet unknown to the men of those times, so as to take advantage of a favorable wind and outsail the oared fleet of Minos. Daedalus himself was saved,
[9.11.5] but the ship of Icarus is said to have overturned, as he was a clumsy helmsman. The drowned man was carried ashore by the current to the island, then without a name, that lies off Samos. Heracles came across the body and recognized it, giving it burial where even to-day a small mound still stands to Icarus on a promontory jutting out into the Aegean. After this Icarus are named both the island and the sea around it.
[9.11.7] Adjoining the sanctuary of Heracles are a gymnasium and a race-course, both being named after the god. Beyond the Chastiser stone is an altar of Apollo surnamed God of Ashes; it is made out of the ashes of the victims. The customary mode of divination here is from voices, which is used by the Smyrnaeans, to my knowledge, more than by any other Greeks. For at Smyrna also there is a sanctuary of Voices outside the wall and beyond the city.
[9.12.2] Now the oracle of the god had said that Cadmus and the host with him were to make their dwelling where the cow was going to sink down in weariness. So this is one of the places that they point out. Here there is in the open an altar and an image of Athena, said to have been dedicated by Cadmus. Those who think that the Cadmus who came to the Theban land was an Egyptian, and not a Phoenician, have their opinion contradicted by the name of this Athena, because she is called by the Phoenician name of Onga, and not by the Egyptian name of Sais.
[9.12.5] There is a statue of Pronomus, a very great favorite with the people for his playing on the flute. For a time flute-players had three forms of the flute. On one they played Dorian music; for Phrygian melodies flutes of a different pattern were made; what is called the Lydian mode was played on flutes of a third kind. It was Pronomus who first devised a flute equally suited for every kind of melody, and was the first to play on the same instrument music so vastly different in form.
[9.13.4] Here heaven sent signs to the Lacedaemonian people and to Cleombrotus personally.14 The Lacedaemonian kings were accompanied on their expeditions by sheep, to serve as sacrifices to the gods and to give fair omens before battles. The flocks were led on the march by she-goats, called katoiades by the herdsmen. On this occasion, then, the wolves dashed on the flock, did no harm at all to the sheep, but killed the goats called katoiades.
[9.23.6] About fifteen stades away from the city on the right is the sanctuary of Ptoan Apollo. We are told by Asius in his epic that Ptous, who gave a surname to Apollo and the name to the mountain, was a son of Athamas by Themisto. Before the expedition of the Macedonians under Alexander, in which Thebes was destroyed, there was here an oracle that never lied. Once too a mail of Europus, of the name of Mys, who was sent by Mardonius, inquired of the god in his own language, and the god too gave a response, not in Greek but in the Carian speech.
[9.25.3] There is a river called Dirce after the wife of Lycus. The story goes that Antiope was ill-treated by this Dirce, and therefore the children of Antiope put Dirce to death. Crossing the river you reach the ruins of the house of Pindar, and a sanctuary of the Mother Dindymene. Pindar dedicated the image, and Aristomedes and Socrates, sculptors of Thebes, made it. Their custom is to open the sanctuary on one day in each year, and no more. It was my fortune to arrive on that day, and I saw the image, which, like the throne, is of Pentelic marble.
[9.29.6] So her portrait is here, and after it is Linus on a small rock worked into the shape of a cave. To Linus every year they sacrifice as to a hero before they sacrifice to the Muses. It is said that this Linus was a son of Urania and Amphimarus, a son of Poseidon, that he won a reputation for music greater than that of any contemporary or predecessor, and that Apollo killed him for being his rival in singing.
[9.29.7] On the death of Linus, mourning for him spread, it seems, to all the foreign world, so that even among the Egyptians there came to be a Linus song, in the Egyptian language called Maneros. Of the Greek poets, Homer shows that he knew that the sufferings of Linus were the theme of a Greek song when he says that Hephaestus, among the other scenes he worked upon the shield of Achilles, represented a boy harpist singing the Linus song:–
In the midst of them a boy on a clear-toned lyre
Played with great charm, and to his playing sang of beautiful Linus.29 Hom. Il. 18.569-70
[9.29.8] Pamphos, who composed the oldest Athenian hymns, called him Oetolinus (Linus doomed) at the time when the mourning for Linus was at its height. Sappho of Lesbos, who learnt the name of Oetolinus from the epic poetry of Pamphos, sang of both Adonis and Oetolinus together. The Thebans assert that Linus was buried among them, and that after the Greek defeat at Chaeroneia, Philip the son of Amyntas, in obedience to a vision in a dream, took up the bones of Linus and conveyed them to Macedonia;
[9.30.3] Hesiod too sits holding a harp upon his knees, a thing not at all appropriate for Hesiod to carry, for his own verses30 make it clear that he sang holding a laurel wand. As to the age of Hesiod and Homer, I have conducted very careful researches into this matter, but I do not like to write on the subject, as I know the quarrelsome nature of those especially who constitute the modern school of epic criticism.
[9.30.4] By the side of Orpheus the Thracian stands a statue of Telete, and around him are beasts of stone and bronze listening to his singing. There are many untruths believed by the Greeks, one of which is that Orpheus was a son of the Muse Calliope, and not of the daughter of Pierus, that the beasts followed him fascinated by his songs, and that he went down alive to Hades to ask for his wife from the gods below. In my opinion Orpheus excelled his predecessors in the beauty of his verse, and reached a high degree of power because he was believed to have discovered mysteries, purification from sins, cures of diseases and means of averting divine wrath.
[9.31.4] The Boeotians dwelling around Helicon hold the tradition that Hesiod wrote nothing but the Works, and even of this they reject the prelude to the Muses, saying that the poem begins with the account of the Strifes.31 They showed me also a tablet of lead where the spring is, mostly defaced by time, on which is engraved the Works.
[9.31.5] There is another tradition, very different from the first, that Hesiod wrote a great number of poems; the one on women, the one called the Great Eoeae, the Theogony, the poem on the seer Melampus, the one on the descent to Hades of Theseus and Perithous, the Precepts of Chiron, professing to be for the instruction of Achilles, and other poems besides the Works and Days. These same Boeotians say that Hesiod learnt seercraft from the Acarnanians, and there are extant a poem called Mantica (Seercraft), which I myself have read, and interpretations of portents.
[9.35.6] Who it was who first represented the Graces naked, whether in sculpture or in painting, I could not discover. During the earlier period, certainly, sculptors and painters alike represented them draped. At Smyrna, for instance, in the sanctuary of the Nemeses, above the images have been dedicated Graces of gold, the work of Bupalus; and in the Music Hall in the same city there is a portrait of a Grace, painted by Apelles. At Pergamus likewise, in the chamber of Attalus, are other images of Graces made by Bupalus;
[9.35.7] and near what is called the Pythium there is a portrait of Graces, painted by Pythagoras the Parian. Socrates too, son of Sophroniscus, made images of Graces for the Athenians, which are before the entrance to the Acropolis. All these are alike draped; but later artists, I do not know the reason, have changed the way of portraying them. Certainly to-day sculptors and painters represent Graces naked.
[9.36.4] Phlegyas had no sons, and Chryses succeeded to the throne, a son of Poseidon by Chrysogeneia, daughter of Almus. This Chryses had a son called Minyas, and after him the people over whom he ruled are still called Minyans. The revenues that Minyas received were so great that he surpassed his predecessors in wealth, and he was the first man we know of to build a treasury to receive his riches.
[9.36.5] The Greeks appear apt to regard with greater wonder foreign sights than sights at home. For whereas distinguished historians have described the Egyptian pyramids with the minutest detail, they have not made even the briefest mention of the treasury of Minyas and the walls of Tiryns, though these are no less marvellous.
[9.36.6] Minyas had a son Orchomenus, in whose reign the city was called Orchomenus and the men Orchomenians. Nevertheless, they continued to bear the additional name of Minyans, to distinguish them from the Orchomenians in Arcadia. To this Orchomenus during his kingship came Hyettus from Argos, who was an exile because of the slaying of Molurus, son of Arisbas, whom he caught with his wedded wife and killed. Orchomenus assigned to him such of the land as is now around the village Hyettus, and the land adjacent to this.
[9.38.2] They have also a fountain worth seeing, and go down to it to fetch water. The treasury of Minyas, a wonder second to none either in Greece itself or elsewhere, has been built in the following way. It is made of stone; its shape is round, rising to a rather blunt apex; they say that the highest stone is the keystone of the whole building.
[9.38.3] There are graves of Minyas and Hesiod. They say that they thus recovered the bones of Hesiod. A pestilence fell on men and beasts, so that they sent envoys to the god. To these, it is said, the Pythian priestess made answer that to bring the bones of Hesiod from the land of Naupactus to the land of Orchomenus was their one and only remedy. Whereupon the envoys asked a further question, where in the land of Naupactus they would find the bones; to which the Pythian priestess answered again that a crow would indicate to them the place.

[9.38.8] It is not likely either that the Orchomenians would not have discovered the chasm, and, breaking down the work put up by Heracles, have given back to the Gephisus its ancient passage, since right down to the Trojan war they were a wealthy people. There is evidence in my favour in the passage of Homer where Achilles replies to the envoys from Agamemnon:–
Not even the wealth that comes to Orchomenus, Hom. Il. 9.381
a line that clearly shows that even then the revenues coming to Orchomenus were large.
[9.39.5] What happens at the oracle is as follows. When a man has made up his mind to descend to the oracle of Trophonius, he first lodges in a certain building for an appointed number of days, this being sacred to the good Spirit and to good Fortune. While he lodges there, among other regulations for purity he abstains from hot baths, bathing only in the river Hercyna. Meat he has in plenty from the sacrifices, for he who descends sacrifices to Trophonius himself and to the children of Trophonius, to Apollo also and Cronus, to Zeus surnamed King, to Hera Charioteer, and to Demeter whom they surname Europa and say was the nurse of Trophonius.
[9.39.6] At each sacrifice a diviner is present, who looks into the entrails of the victim, and after an inspection prophesies to the person descending whether Trophonius will give him a kind and gracious reception. The entrails of the other victims do not declare the mind of Trophonius so much as a ram, which each inquirer sacrifices over a pit on the night he descends, calling upon Agamedes. Even though the previous sacrifices have appeared propitious, no account is taken of them unless the entrails of this ram indicate the same; but if they agree, then the inquirer descends in good hope. The procedure of the descent is this.
[9.39.7] First, during the night he is taken to the river Hercyna by two boys of the citizens about thirteen years old, named Hermae, who after taking him there anoint him with oil and wash him. It is these who wash the descender, and do all the other necessary services as his attendant boys. After this he is taken by the priests, not at once to the oracle, but to fountains of water very near to each other.
[9.39.8] Here he must drink water called the water of Forgetfulness, that he may forget all that he has been thinking of hitherto, and afterwards he drinks of another water, the water of Memory, which causes him to remember what he sees after his descent. After looking at the image which they say was made by Daedalus (it is not shown by the priests save to such as are going to visit Trophonius), having seen it, worshipped it and prayed, he proceeds to the oracle, dressed in a linen tunic, with ribbons girding it, and wearing the boots of the country.
[9.39.9] The oracle is on the mountain, beyond the grove. Round it is a circular basement of white marble, the circumference of which is about that of the smallest threshing floor, while its height is just short of two cubits. On the basement stand spikes, which, like the cross-bars holding them together, are of bronze, while through them has been made a double door. Within the enclosure is a chasm in the earth, not natural, but artificially constructed after the most accurate masonry.
[9.39.10] The shape of this structure is like that of a bread-oven. Its breadth across the middle one might conjecture to be about four cubits, and its depth also could not be estimated to extend to more than eight cubits. They have made no way of descent to the bottom, but when a man comes to Trophonius, they bring him a narrow, light ladder. After going down he finds a hole between the floor and the structure. Its breadth appeared to be two spans, and its height one span.
[9.39.11] The descender lies with his back on the ground, holding barley-cakes kneaded with honey, thrusts his feet into the hole and himself follows, trying hard to get his knees into the hole. After his knees the rest of his body is at once swiftly drawn in, just as the largest and most rapid river will catch a man in its eddy and carry him under. After this those who have entered the shrine learn the future, not in one and the same way in all cases, but by sight sometimes and at other times by hearing. The return upwards is by the same mouth, the feet darting out first.
[9.39.12] They say that no one who has made the descent has been killed, save only one of the bodyguard of Demetrius. But they declare that he performed none of the usual rites in the sanctuary, and that he descended, not to consult the god but in the hope of stealing gold and silver from the shrine. It is said that the body of this man appeared in a different place, and was not cast out at the sacred mouth. Other tales are told about the fellow, but I have given the one most worthy of consideration.
[9.39.13] After his ascen